with the Middle Ages, than to attempt to read them forwards from Cædmon, of whom he can know nothing, and of whom even the authorities he must trust know very little. If this be true of Shakespeare, it is even truer, of course, of Chaucer. If we really want to know what was strongest in the twelfth century, it is no bad way to ask what remained of it in the fourteenth. When the average reader turns to the "Canterbury Tales," which are still as amusing as Dickens yet as mediæval as Durham Cathedral, what is the very first question to be asked? Why, for instance, are they called Canterbury Tales; and what were the pilgrims doing on the road to Canterbury? They were, of course, taking part in a popular festival like a modern public holiday, though much more genial and leisurely. Nor are we, perhaps, prepared to accept it as a self-evident step in progress that their holidays were derived from saints, while ours are dictated by bankers.
It is almost necessary to say nowadays that a saint means a very good man. The notion of an eminence merely moral, consistent with complete stupidity or unsuccess, is a revolutionary image grown unfamiliar by its very familiarity, and needing, as do so many things of this older society, some almost preposterous modern parallel to give its original freshness and point. If we entered a foreign town and found a pillar like the Nelson Column, we should be surprised to learn that the hero on the top of it had been famous for his politeness and hilarity during a chronic toothache.
