head-long separation of their souls." And then would come in one deafening chorus of everlasting humanity "But I'll be true to my love, if my love'll be true to me."
In the records of the first majestic and yet fantastic developments of the foundation of St. Francis of Assisi is an account of a certain Blessed Brother Giles. I have forgotten most of it, but I remember one fact: that certain students of theology came to ask him whether he believed in free will, and, if so, how he could reconcile it with necessity. On hearing the question St. Francis's follower reflected a little while and then seized a fiddle and began capering and dancing about the garden, playing a wild tune and generally expressing a violent and invigorating indifference. The tune is not recorded, but it is the eternal chorus of mankind, that modifies all the arts and mocks all the individualisms, like the laughter and thunder of some distant sea.