up a moderately steep hill. The fight of the oppressor is always a pillow-fight; commonly a war with cushions—always a war for cushions. Saladin, the great Sultan, if I remember rightly, accounted it the greatest feat of swordsmanship to cut a cushion. And so indeed it is, as all of us can attest who have been for years past trying to cut into the swollen and windy corpulence of the modern compromise, that is at once cosy and cruel. For there is really in our world to-day the colour and silence of the cushioned divan; and that sense of palace within palace and garden within garden which makes the rich irresponsibility of the East. Have we not already the wordless dance, the wineless banquet, and all that strange unchristian conception of luxury without laughter? Are we not already in an evil Arabian Nights, and walking the nightmare cities of an invisible despot? Does not our hangman strangle secretly, the bearer of the bow string? Are we not already eugenists—that is, eunuch-makers? Do we not see the bright eyes, the motionless faces, and all that presence of something that is dead and yet sleepless? It is the presence of the sin that is sealed with pride and impenitence; the story of how the Sultan got his throne. But it is not the story he is listening to just now, but another story which has been invented to cover it the story called "Eugenius: or the Adventures of One Not Born," a most varied and entrancing tale, which never fails to send him to sleep.
