Page:Chesterton - The Defendant, 1904.djvu/96

emasculation of the monsters of Greek myth under the pestilent influence of the Apollo Belvedere. The chimaera was a creature of whom any healthy-minded people would have been proud; but when we see it in Greek pictures we feel inclined to tie a ribbon round its neck and give it a saucer of milk. Who ever feels that the giants in Greek art and poetry were really big--big as some folk-lore giants have been? In some Scandinavian story a hero walks for miles along a mountain ridge, which eventually turns out to be the bridge of the giant's nose. That is what we should call, with a calm conscience, a large giant. But this earthquake fancy terrified the Greeks, and their terror has terrified all mankind out of their natural love of size, vitality, variety, energy, ugliness. Nature intended every human face, so long as it was forcible, individual, and expressive, to be regarded as distinct from all others, as a poplar is distinct from an oak, and an apple-tree from a willow. But what the Dutch gardeners did for trees the Greeks did for the human form; they lopped away its living and sprawling features to give it a certain academic shape; they hacked off noses and pared down chins with a ghastly horticultural calm. And they have really succeeded so far as to make