started the discussion. But, of the two antagonistic theories, he leans rather to the Stoic than to the Epicurean. Self-sacrifice and honour seem, to his view, to present a higher ideal than pleasure or expediency.
II. 'ACADEMIC QUESTIONS.'
Fragments of two editions of this work have come down to us; for almost before the first copy had reached the hands of his friend Atticus, to whom it was sent, Cicero had rewritten the whole on an enlarged scale. The first book (as we have it now) is dedicated to Varro, a noble patron of art and literature. In his villa at Cuma were spacious porticoes and gardens, and a library with galleries and cabinets open to all comers. Here, on a terrace looking seawards, Cicero, Atticus, and Varro himself pass a long afternoon in discussing the relative merits of the old and new Academies; and hence we get the title of the work. Varro takes the lion's share of the first dialogue, and shows how from the "vast and varied genius of Plato" both Academics and Peripatetics drew all their philosophy, whether it related to morals, to nature, or to logic. Stoicism receives a passing notice, as also does what Varro considers the heresy of Theophrastus, who strips virtue of all its beauty, by denying that happiness depends upon it.
The second book is dedicated to another illustrious name, the elder Lucullus, not long deceased—half-statesman, half-dilettante, "with almost as divine a memory for facts," says Cicero, with something of envy,
