ROCK HERMITAGES
pyramids, clubs, pillars, and ten-pin shaped masses, which were drawn singly, or in groups of incredible distinction, against the deep blue of the sky. At the foot of the rock the buildings of the monastery and the narrow gardens completely filled and almost overhung a horizontal shelf of the mountain, under which it again fell sheer away down, down into misty depths, the bottom of which was hidden from sight. In all the galleries of memory I could find nothing resembling it."[1]
The spires of rock range about 3300 feet high, jumbled together by nature in a sportive mood. Here and there, perched like nests of the solitary eagle, are the ruins of former hermitages, burnt by the French under Suchet in July 1811, when they amused themselves with hunting the hermits like chamois in the cliffs, hung the monks of the monastery, plundered it of all its contents, stripped the Virgin of her jewellery, and burnt the fine library. Hitherto the monks, when periodically dressing the image, had done so with modestly averted eyes, but Suchet's soldiers had no such scruples. This image had been entrusted in the ninth century to a hermit, Jean Garin. Now Riguilda, daughter of the Count of Barcelona, was possessed by a devil, in another word, crazy, and was sent to be cured by the image or the hermit. A temptation similar to that of S. Anthony followed, but with exactly the opposite result. To conceal his crime, Jean Garin cut off Riguilda's head, buried her, and fled. Overtaken by remorse he went to Rome, and confessed his sin to the Pope, who bade him become a beast, never lifting his face towards heaven until the hour when God himself would signify his pardon.
Jean Garin went forth from the Papal presence on his hands and knees, crawled back to Montserrat, and there lived seven years as a wild beast, eating grass and bark, and never looking up to heaven. At the end of this time
- ↑ Taylor (B.), "Byways of Europe," Lond. 1869, i. p. 23.
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