PREHISTORIC CAVE-DWELLERS
passages have been sealed up from time immemorial, and subjected to no invasion by man or beast, or to any change of air or temperature. And secondly, that the artists obtained light from melted fat in stone bowls on the floor, in which was a wick of pith; and such lamps would hardly discolour ceiling or walls. Of the genuineness of these paintings and sculptures there can be no question, from the fact that some are partly glazed over and some half obliterated by stalagmitic deposits.
Another discovery made in the Mas d'Azil in Arriege, is of painted pebbles and fan-shells that had served as paint-pots.[1] The pebbles had been decorated with spots, stripes, zig-zags, crosses, and various rude figures; and these were associated with paleolithic tools. In the chalk of Champagne, where there are no cliffs, whole villages of underground habitations have been discovered, but none of these go back to the earliest age of all; they belong to various epochs; but the first to excavate them was the Neolithic man, he who raised the rude stone monuments elsewhere. He had learned to domesticate the ox and the sheep, had made of the dog the friend of man. His wife span and he delved; he dug the clay, and she formed it with her fingers into vessels, on which to this day her finger-prints may be found.
These caves are hollowed out in a thick bed of cretaceous rock. The habitations are divided into two unequal parts by a wall cut in the living chalk. To penetrate into the innermost portion of the cave, one has to descend by steps cut in the stone, and these steps bear indications of long usage. The entrance is hewn out of a massive screen of rock, left for the purpose, and on each side of the doorway the edges show the rebate which served to receive a wooden door-frame. Two small holes on the right and left were used for fixing bars across to hold the door fast. A good
- ↑ Piette (E.), Les Galets colorrés du Mas d'Azil. Paris, 1896.
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