There were boxes full of pearls and precious stones; gold in its native state, and gold wrought into the richest trinkets; two wheels, the one of gold, the other of silver. That of gold, representing the Mexican century, had the image of the sun engraved in the middle, round which were different figures in bass-relief. Bernal Diaz says the circumference was thirty palms of Toledo, and the value of it ten thousand sequins. The one of silver, in which the Mexican year was represented, was still larger, with a moon in the middle, surrounded also with figures in bass-relief.[1] Thirty loads or bales of cotton cloths of the most exquisite fineness, and pictures in feather-work of surprising brilliancy and art. These were all opened out on mats in the most tempting manner; and besides these, was a vizor, which Cortez had desired at the last interview might be filled with gold dust, telling the officer most truly—that "the Spaniards had a disease of the heart which could only be cured by gold."
Cortez took the presents, and coolly assured the ambassador that he should not quit the country till he had seen the emperor. A third message, accompanied by a third and more peremptory order for his departure, producing no greater effect, the officers left the camp in displeasure, and Cortez prepared to march into the country.
But before he commenced his expedition there were a few measures to be taken. He was a traitor to the governor of Cuba who had sent him out; and the governor had still adherents in the army, who objected to what appeared to them this rash enter-
- ↑ Engravings of these may be seen in Clavigero.
