wished to remain in it, and probably should have felt extremely mortified at being deprived of it"
I frequently attended the meetings of parliament, which are held in a vast hall, built on the most approved acoustic principles; for all the speaking here consists of the musical oratory I have before described, and it is contrary to precedent, and, in fact, quite unconstitutional to speak in any other way.
It would, therefore, seem that a chief qualification for membership of the parliament ought to be a proficiency in musical oratory; but this is by no means the case, for many of the members are mere dummy legislators, never addressing the house, but giving silent votes. The chief, however, and his colleagues in office are necessarily adepts in the musical oratory, and the finest illustrations of this wonderful art are sometimes given in the parliament hall. The notes are struck by machinery brought into play by means of a key-board similar to that of our pianos or organs. Each member sits in a comfortable arm-chair on the floor of the hall, with a desk before him on which is this key-board. The keys are connected by wires with the great instrument occupying the acoustic focus of the hall which is of elliptical shape. Electricity is the means by which the touch on the keys is conveyed to the instrument. A thin rope, composed of the wires that communicate between the key-board and instrument, stretches from each member's seat to the instrument, which is fixed at a considerable elevation. These ropes form a graceful canopy over the members' heads, that is highly ornamental owing to the ropes being variously coloured and harmoniously arranged.
