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COMPROMISES

fold. With so many dark pages in her chronicles, one has scant need to burrow for ignoble guilt.

There are deeds, however, that have so coloured history, stained it so redly and so imperishably, that their seal is set upon the abodes that witnessed them, and all other associations grow dim and trivial by comparison. The murder of a Douglas or of a Guise by his sovereign is the apotheosis of crime, the zenith of horror. As long as the stones of Stirling or of Blois shall hold together, that horror shall be their dower. The walls shriek their tale. They make a splendid and harmonious background for the tragedy that gives them life. They are fitting guardians of their fame. It can never be sufficiently regretted that the murder of Darnley had so mean a setting, and that the methods employed by the murderers have left us little even of that meanness. Some bleak fortress in the north should have sheltered a crime so long impending, and so grimly wrought; but perhaps the paltriness of the victim merited no better mise en scène. The Douglas and the Guise were made of sterner