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COMPROMISES

wood." She is the finest and most reverent incarnation of what men conceive to be purely feminine traits. In a world that belongs to its masters, she is an exquisite appurtenance, a possession justly prized. In a world shared—albeit somewhat unevenly—by men and women, she seems less good and gracious. "I always said I was alone," cries Beatrix sternly. "You were jealous of me from the time I sat on my father's knee." And the child's eyes saw the truth.

It has been claimed, and perhaps with justice, that the irritation provoked by Thackeray's virtuous heroines is born of wounded vanity. Mr. Lang observes that women easily pardon Becky Sharp and Blanche Amory, but never Amelia Sedley nor Laura Pendennis. For the matter of that, men easily pardon Mr. Collins and Mr. Elton. They do more than pardon, they delight in these incomparable clerics, and they adore Miss Austen for having created them. Mr. Saintsbury vows that Mr. Collins is worthy of Fielding or Swift. But their sentiments towards the excellent Edmund Bertram, who is all that a parson should be, are not