CONTEMPORARY AMERICAN
NOVELISTS
CHAPTER I
OLD STYLE
1. Local Color
A study of the American novel of the twentieth century must first of all take stock of certain types of fiction which continue to persist, with varying degrees of vitality and significance, from the last quarter of the century preceding.
There is, to begin with, the type associated with the now moribund cult of local color, which originally had Bret Harte for its prophet, and which, beginning almost at once after the Civil War, gradually broadened out until it saw priests in every state and followers in every county. Obedient to the example of the prophet, most of the practitioners of the mode chose to be episodic rather than epic in their undertakings; the history of local color belongs primarily to the historian of the short story. Even when the local colorists essayed the novel they commonly did little more than to expand
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