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COPYRIGHT
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(b) the number and categories of people who have seen or heard the performance;
(c) anything done by the defendant to mitigate the effects of the infringement;
(d) in the case of the moral right under section 391 (right to be identified)—the cost or difficulty (if any) of identifying the performer;
(e) the cost or difficulty (if any) of reversing the infringement;
(f) any practice in the industry in which the performance is used that is relevant to the performance or the use of the performance; and
(g) the damage caused to the performer by the infringement, including any loss of income.

Moral rights not assignable

405. A performer’s moral rights are—

(a) personal to him or her; and
(b) not assignable.

Devolution on death

406.—(1) When a performer dies—

(a) the performer’s moral rights devolve to his or her personal legal representative; and
(b) any damages recovered in an action under section 402 by the personal legal representative form part of the performer’s estate.

(2) To avoid doubt, any consent or waiver given by a performer in relation to the performer’s moral rights binds his or her personal legal representative.