COPYRIGHT
59
Subdivision (6)—Performing
What does a performance of an authorial work include
67.—(1) A “performance” of an authorial work—
- (a) includes—
- (i) any mode of visual or aural presentation of the authorial work, whether the presentation is by—
- (A) the use of any receiving apparatus;
- (B) the exhibition of a film;
- (C) the use of a record; or
- (D) any other means; and
- (ii) the delivery of the authorial work by way of a lecture, an address, a speech or a sermon; but
- (i) any mode of visual or aural presentation of the authorial work, whether the presentation is by—
- (b) does not include the communication of a work to the public.
(2) “Perform”, in relation to an authorial work, has a corresponding meaning.
(3) To avoid doubt, this section applies in relation to an adaptation of a literary, dramatic or musical work as it applies in relation to an authorial work.
Performance by operating receiving apparatus
68.—(1) This section applies where—
- (a) any device or equipment is operated to communicate, directly or indirectly, visual images or sounds to a receiving apparatus; and
- (b) those images are displayed, or those sounds are emitted, by the receiving apparatus.
(2) The operation of the device or equipment is not a performance.
(3) Insofar as the display of those images or the emission of those sounds is a performance of an authorial work, the performance is deemed to be given—