Page:Costume, fanciful, historical, and theatrical (1906).djvu/126

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COSTUME
CHAP

Step" And the uproarious lancers of to-day would have made short work of the hair-dresser's labour of time and money.

The question of complexion was seriously studied, the colour of the chin and cheeks being carefully suited to the gowns. Patches were lavishly indulged in in England and France, the eyebrows were blacked and even false, and China, Spain, and Portugal all contributed—for a consideration—rouges and white lead and wash balls, scented lard and lip salves, and toilet waters and soaps. The fan was an indispensable complement to every gown, and its best conduct was an art which might well have been added to the scholastic curriculum for women, always supposing the like in existence. The fans were made of chicken skin and painted; and chicken skin also had the privilege, with lace and an embroidery of gold and silver, in making gloves and mittens for evening wear.

Tight-lacing was de rigueur and it is indeed impossible to imagine any discomfort omitted from the toilet. I cannot picture conditions more entirely unpleasant than to glaze the face with paint and grease of red and black, to decorate it at intervals with devices of sticking plaster, to supply it with false eyebrows, and to mount on the head some pounds' weight of stuffed hair, while reducing the waist at least three inches below the natural size, expanding the hips with whalebone and hoops, compressing the feet into narrow shoes, and carefully studying every movement of the arm so as to hold a fan at a significant and becoming angle. And to add to all this, the dresses were of the stiffest brocades, decked with gold and silver