monotony. The cropped head had for its successor the style known as la chinose for which the hair was tightly dragged back from the forehead, with a long ringlet falling at the side, a plait set in a cluster of roses crowning the top, which was further decorated with gold pins, tasselled with small gold balls.
Many garments had foreign names. A robe known as the Mameluke had a Delta trimming; a coiffure adorned with jewels and a double row of beads on the forehead was dedicated to Egypt; and Austerlitz expressed a nankeen-coloured gown with blue trimmings. And there were caps recognised as Patmos and Tyrolean; and there were Spanish dresses, and Etruscan borders to Pyrenean robes. The Patmos cap had charms which easily pushed it to the height of success, when it was made of satin and lace cut into points at the front, was covered with diamonds, and had tassels falling at either side.
Beau Brummel, as he walked upon the Pantiles, carefully cultivating towards everybody an insolence that would not be tolerated nowadays, even in the richest member of the Stock Exchange, laid down the law of dress for men. About 1811 he held supreme sway, and was the "Arbiter Elegantarium," contributing doubtless to the gaiety of nations many a new stock and new button. It was not long after this, however, that man gave up fashion as a bad job, ultimately contenting himself for his adornment with the details of his waistcoat and the cut of his whiskers, begging the question at first by full-skirted coats with velvet collars, frilled shirts and stock ties, tasselled canes, and light beaver hats, then gradually drifting into the safe harbour of
