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CREOLE SKETCHES

bells; but these were mere echoes of the harsh outer world which disturbed not the delicious quiet within — where sat, in old-fashioned chairs, good old-fashioned people who spoke the tongue of other times, and observed many quaint and knightly courtesies forgotten in this material era. Without, roared the Iron Age, the angry waves of American traffic; within, one heard only the murmur of the languid fountain, the sound of deeply musical voices conversing in the languages of Paris and Madrid, the playful chatter of dark-haired children lisping in sweet and many-voweled Creole, and through it all, the soft, caressing coo of doves. Without, it was the year 1879; within, it was the epoch of the Spanish Domination. A guitar lay upon the rustic bench near the fountain, where it had evidently been forgotten, and a silk fan beside it; a European periodical, with graceful etchings, hung upon the back of a