the game began. I need only allude to the exceptionally hard work which Turner and Ferris went through for the Australian Elevens which came to us in 1888 and 1890. It would not have surprised anyone if either had broken down. Every player aiming at becoming a really good bowler for his county must face the fact that he may have to bowl for hours and days at a time, and that bowling above his strength will wear him out and lead to short-length balls which the most indifferent batsman can play with ease.
Vary your pace is my next bit of advice. That does not mean you are to bowl a lot of balls faster than you are in the habit of doing, but rather that you are to resort to slower ones. Of course you will indulge in a fast one occasionally; but remember that you will find it easier to keep your good length in attempting a slower one. You must try to hide a change of action in your delivery, or an acute batsman will at once perceive it, and be on his guard. The great Australian bowlers are very good at bowling a slower or faster ball without a perceptible change of action.
Spofforth, in particular, was a master of the art, and I question if anyone has surpassed him since. He was most successful with his medium-pace balls, which were rather slower than his usual deliveries. There was the same run, the same action, the same elevation; and so completely was the batsman deceived that he played seconds too soon and was completely beaten. Palmer was another who was very successful in the same way; and Alfred Shaw was for years the chief amongst English bowlers in that respect. Shaw was a model of beautiful style and accurate length, and, at his best, could stick up the best batsmen in England. His change of pace was generally to a slower ball; and now and then he changed his elevation, a device which put the batsman in two minds.
