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BOWLING
103

He made his own style of bowling, and a beautiful style it was—so beautiful that none but a decent cricketer could fully appreciate it. He had a high right-over action, which was naturally easy and free-swinging, but, in his seeking after variations of pace, he introduced into it just a suspicion—a mere suspicion—of laboriousness. Most people, I believe, considered his action to have been perfect. To the eye it was rhythmical and polished, but it cost him, probably, more effort than it appeared to do. His normal pace was medium; he took a run of moderate length, poised himself with a slight uplifting of his high square shoulders, and delivered the ball just before his hand reached the top of its circular swing, and, in the act of delivery, he seemed first to urge forward the upper part of his body in sympathy with his arm, and then allow it to follow through after the ball. Owing to his naturally high delivery, the ball described a pronounced curve, and dropped rather sooner than the batsman expected. This natural peculiarity he developed assiduously into a very deceptive ball which he appeared to bowl the same pace as the rest, but which he really, as it were, held back, causing the unwary and often the wary to play too soon. He was a perfect master of the whole art of varying his pace without betraying the variation to the batsman. He ran up and delivered the ball, to all appearances, exactly similarly each time; but one found now that the ball was hanging in the air, now that it was on to one surprisingly soon. He had complete control of his length, and very, very rarely—unless intentionally—dropped a ball too short or too far up. He had a curious power of making one feel a half-volley was on its way; but the end was usually a perfect length ball or a yorker. He had that subtle finger power which makes the ball spin, and consequently he could both make the ball break on a biting wicket and make it "nip along quick" on a true one. He made a practice of using both sides of the wicket on sticky pitches.