for three runs—it might have been four, but Lockwood was a slow runner. Mr. Buchanan did not like to have a third man, and his nervous system was seriously insulted at Lockwood's method, which forced him to change the disposition of his field in a way he did not like. Mr. Grace and Mr. Buchanan were two amateur slow bowlers who really studied the art of bowling, and both of them, Mr. Grace in particular, studied the play of their batting opponents; but when you have mentioned Messrs. Appleby, Grace, and Buchanan, and for a short time Mr. Steel, you have nearly exhausted the list of bowlers who during the last thirty years may be said to have challenged comparison with the best professionals.
In batting it is very different. Mr. Grace, of course, must be left out of any calculation. Apart from him, however, the amateurs can quite hold their own in batting. It is not fair to take as an illustration the performances of each in Gentlemen v. Players matches, because the bowling on one side is so superior to the other. But in international test matches, both here and in Australia, Messrs. Stoddart, Ranjitsinhji, Maclaren, Jackson, and Steel have been fully as good and successful as Shrewsbury, Barnes, Gunn, Hayward, and Tyldesley. As far as style is concerned, the older professionals, such as Shrewsbury and Barnes, had a more distinctive difference of method than their modern successors. Hayward and Tyldesley far more closely resembled the amateur method of Messrs. Jackson and Palairet
