Mandeville on the Seamy Side of Virtue the worse of him when, a month later, he shook hands with him and passed the time of day.
I conceive that Mandeville thought it would be well for the intelligent adult portion of mankind to acquire a less squeamish habit about facing, recognizing and naming facts of human nature and facts of the social organism. Accordingly he brought out a new edition of his poems in 1714, entitled this time "The Fable of the Bees: Or Private Vices, Publick Benefits," to which he added, ostensibly as a commentary, a substantial body of prose in the form of moral essays. After the lapse of nine years more, he published, in 1723, a second edition, supplemented by defensive dialogues, containing many new speculations, and an extremely provocative "Essay on Charity and Charity Schools," together with a "Search Into the Nature of Society."
If Mandeville desired to bugle forth all the forces of opposition he managed his "publicity" well. Apparently he was attacking everything in sight—especially everything sacred, such as polite society, the army, and charity schools. He displayed a sub-title—Private Vices, Publick Benefits—which attracted and fascinated the mob like the picture of a naked woman—or an advertisement of the Ten Commandments over a moving-picture palace. When the police ran up to see what was going on, he made disparaging remarks about London aldermen and the Lord Mayor—really stinging and insufferable remarks, coming from a foreigner, to the disadvantage of the Lord Mayor as compared with Dutch burgomasters. He explained that his show was not intended for the yokelry but only for the choice few who could think, or at least read and write, that is, what we should call the Intellectuals. "Apagete vulgus!" he exclaimed.
