sun's rays and threw out a furnace heat. The men endured it in net undershirts clinging to dripping bodies; their eyes ached against the glare, their stomachs rebelled, their brains sickened with monotony and despair.
The men developed little personal traits that exasperated their mates unreasonably. Mulcher had a way of breathing aloud through his coarse lips that chafed Hogan's temper. For hours at a time the Irishman would stare at those flabby spewing lips, filled with a desire to maul them. Yet before this isolation, he had never observed that Mulcher breathed aloud.
The only occupation the men had now was to stare at, listen to and criticise each other. All painting had ceased, for work consumes energy, and energy consumes food.
Caradoc Smith found peculiar and private grievance in the fact that Greer often whistled to himself in a windy undertone. The tune Farnol chose for these unfortunate performances was an American ragtime, that repeated the same strain over and over.
Caradoc strove not to listen to this dry whistling. Sometimes he left his awning and climbed
