rally expressed either thus–“Look how the crown that Ariadne wore, &c. So,” &c. “Look how a comet at the first appearing, &c. So did the blazing of my blush,” &c. “Look how the world's poor people are amazed, &c. So,” &c.– Or thus: “Even as an empty eagle sharpe by fast, &c.–Even so,” &c.–“Like as a taper burning in the darke, &c. So,” &c.–Such is the general style of the latter end of the sixteenth century; though sometimes (but very rarely) the form that Chatterton has used was also employed by Spenser and others. In the preceding century, if I am not much mistaken, it was wholly unknown.
But I have perhaps dwelled too long on this point. Every poetical reader will find instances of modern phraseology in almost every page of these spurious productions. I will only add, before I quit the subject of style, that it is observable, that throughout these poems we never find a noun in the plural number joined with a verb in the singular; an offence against grammar which every ancient poet, from the time of Chaucer to that of Shakespeare, has frequently committed, and from which Rowley, if such a poet had existed, would certainly not have been exempted.
With respect to the stanza that Chatterton has employed in his two poems on the Battle of Hastings, Mr. Bryant and the Dean of Exeter seem to think that they stand on sure ground, and confidently quote Gascoigne, to prove that such a stanza was known to our old English poets. “The greatest
