ther subject, say, now is Richard &c.” Chatterton, having stored his mind with images and customs suited to the times he meant originally for the era of his fictitious ancient, introduced them as well as he could in subsequent compositions. One other singular circumstance, which I learn from the same very respectable authority, I cannot omit mentioning. Among the Mss. that Chatterton pretended to have discovered in the celebrated chest at Bristol was a painter's bill[1], of which, like the rest, he produced only a copy. Great was the triumph of his advocates. Here was an undoubted relick of antiquity! And so indeed it was; for it was faithfully copied from the first volume of the Anecdotes of Painting, printed some years before; and had been originally transcribed by Vertue from some old parchments in the church of St. Mary Redcliffe at Bristol (a person, by the by, who was indefatigable in the pursuit of everything that related to our ancient poets, and who certainly at the same time would have discovered some traces of the pretended Rowley, if any of his poetry had been lodged in that repository). Can there be a doubt, that he who was convicted of having forged this paper, and
- ↑ This fraud having been detected, we hear no more of it; but in the room of it has been substituted A List of skyllde Payneterrs and Carvellers, which is now said to have been found along with the other Mss. and to be in the possession of Mr. Barret, of Bristol.
