The Origin of the English Drama (the earliest of them composed in 1512); and I believe they will not hesitate to pronounce Ella a modern composition. The dramas which are yet extant (if they can deserve that name), composed between the years 1540 and 1570, are such wretched stuff, that nothing but antiquarian curiosity can endure to read a page of them. Yet the period I speak of is near a century after the era of the pretended Rowley.
The argument of Mr. B. on this subject is too curious to be omitted: “I am sensible (says he, in his Observations, p. 166,) that the plays mentioned above [the Chester Mysteries] seem to have been confined to religious subjects.—But though the monks of the times confined themselves to these subjects, it does not follow that people of more learning and genius were limited in the same manner. As plays certainly existed, the plan might sometimes be varied; and the transition from sacred history to profane, was very natural and easy. Many generous attempts may have been made towards the improvement of the rude drama, and the introduction of compositions on a better model: but the ignorance of the monks, and the depraved taste of the times, may have prevented such writings being either countenanced or preserved. It may be said, that we have no examples of any compositions of this sort. But this is begging the question, while we have the plays of Ælla and Godwin be-
