ployed on this subject (though these learned gentlemen should pour out waggon instead of cart-loads of it,) will only puzzle and perplex, instead of illustrating, the point in dispute. Whether they are furnished with any portion of this critical taste, I shall now examine. But that I may not bewilder either my readers or myself, I will confine my observations to these four points. 1. The versification of the poems attributed to Rowley. 2. The imitations of modern authours that are found in them. 3. The anachronisms with which they abound.4. The hand-writing of the Mss.–the parchments, &c.
I. It is very obvious, that the first and principal objection to the antiquity of these poems is the smoothness of the versification. A series of more than three thousand lines, however disfigured by old spelling, flowing for the most part as smoothly as any of Pope's–is a difficult matter to be got over. Accordingly the learned Mythologist, Mr. Bryant, has laboured hard to prove, either, that other poets of the fifteenth century have written as smoothly, or, if you will not allow him this, that Rowley was a prodigy, and wrote better than all his contemporaries; and that this is not at all incredible, it happening very frequently. And how, think you, gentle reader, he proves his first point? He produces some verses from Spenser, written about the year 1571; some from Sir John Cheke, written in 1553; and others from Sir H. Lea-
