EBERT Academy in 1831 and 1837. Visited Hol- land and Normandy with Hitter and Jordan, whose style he followed. Lives in Breslan, whither he returned in 1844. Works : Smugglers about to Land (1830), National Gallery, Berlin ; Fisher-Hut with Mother on each side, and Daughter (1831) ; Smugglers Surprised I Engraved by M. (1832) ; Smugglers in Tavern (1833) ; War Dresde, i. PI. 18. Scene in small Town ; Rescued Women presentation of Christ to the people, after scourging, by Pilate (John xix. 5). By Annibale Carracci, Dresden Gallery ; canvas, H. 3 ft. x 3 ft. 6 in. Christ, half- length, crowned with thorns, with an angel From Modena Collection. Keyl. Gal. Roy. do among Fishermen (1841) ; Dutch Smugglers By Curregyio, National Gallery, London ; wood, H. 3 ft. 2 in. x 2 ft, 7A in. Christ, on Coast of Normandy (1842); Prussian Hus- [ half-length, with hands bound and crowned sars quartered in France (1843); Life-Boat (1844) ; Pilot-Boat (1845) ; Storm on In- land Sea (1845) ; Mutiny on Brig (184S). Andresen, iv. 217 ; Brockhaus, v. 709 ; Diisseldf. K., 230. EBERT, KARL, born in Stuttgart, Oct. 13, 1821, died in Munich, March 1, 1885. Landscape painter, pupil of Stuttgart Art- School under Steinkopf. Settled at Munich in 1840. Member of Amsterdam Academy. W T orks : Starnberg Lake, Suabian Alp near the Hohenstaufen, Bathing Woods (1807), Stuttgart Children in the Gallery ; Land- scape near Rotterdam ; Storm in the Woods ; The Seasons ; Beech Wood with Sheep (1871) ; Evening Landscape (1873) ; Wood of Tall Trees, Wood Interior (1874); with thorns ; in front, the Virgin sinks faint- ing into arms of Mary Magdalen ; behind, Pilate looking out of a window, and on other side the head of a soldier. Painted about 1510-21 ; bought of the Colonna family, Rome, by Sir Simon Clarke, who sold it to Murat, King of Naples ; from his widow, the ex-Queen, it passed to the Mar- quis of Londonderry, who sold it in 1834, together with the Education of Cupid, to National Gallery for ,11,500. Placed by Meyer among the doubtful works of Correg- gio. At the end of the ICth century there were two Ecce Homos claimed to be by Correggio : One belonging to Count Prati (engraved by Agostino Carracci, 1587), the other to Lorenzo Salviati, Florence. This latter, which passed to the Colonna family, rv I . I* Chestnut Wood in I is the National Gallery picture. The other
- - Tyrol ; Forge in the ' has disappeared. Engraved by Bettelini ;
Woods; Vranduk in Bosnia (1880) ; Storm ' Doo ; Asioli ; Rosaspina. Meyer, Correg- (1882). Brockhaus, v. 712 ; Illustr. Zeitg. ' gio, 357, 487 ; do. Kiinst. Lex., i. 434 ; (1881), ii. 441 ; (1SS3), i. 400 ; Kunst- Waagen, Treasures, i. 32(5 ; Kugler (East- Chronik, xx. 445. lake), ii. 505 ; Richter, C2. ECCE ANCILLA DOMINI (Behold the By Giiiilo Reni, Dresden Gallery ; wood, Handmaid of the Lord), Dante Gabriel oval, H. 1 ft. !) in. x 1 ft. 3 in. Head of liossetli, National Gallery, London ; canvas, Christ, crowned with thorns, with eyes H. 2 ft. 4 in. x 1 ft. 5 in. The Annuncia- turned upward. One of Guide's most cele- tion. Head of Virgin painted from Chris- brated pictures, known through many cop- tina Rossetti angel, but it W. M. Rossetti sat for the was finished from another sitter. Royal Academy, 1850 ; sold in 1853 to Mr. MacCracken, Belfast, for 52 10s. ; Graham sale (1880) bought for National Gallery (1880), 850. Art Journal (1884), 150 ; Athen. (1883), i. 23. ECCE HOMO (Behold the Mau), the ies. Presented by Innocent XII. to Augustus II., King of Poland and Elector of Saxony. Restored by Palm. Engraved by Ant. Krii- ger. Gal. Roy. de Dresde, iii. PI. 26. By Guido Reni, Dresden Gallery ; copper, H. 2 ft. 8 in. x 2 ft. 1 in. Christ, crowned with thorns and holding a reed in his bound hand ; around his shoulders a red mantle.
