INDUNO
ing to the church tradition, it miraculously ceased. A typical conflagration, suggestive of the burning of Troy, with Æneas, Anchises, Creüsa, and Ascunius in the group at left. Painted in 1515; almost entirely by Raphael. Studies in Uffizi, Florence, and Albertina Collection, Vienna. Engraved by P. Thomassin ; P. Andcrloni ; Volpato.— Vasari, ed. Mil., iv. IJ51I ; Passavant, ii. 158; Müntz, 425; Kugler (East lake), ii. 436; Perkins, 175.
INDUNO, DOMENICO, born in Milan, March 15, 1815, died there, Nov. 5, 1S7S. Genre painter, pupil of Milan Academy under Luigi Sabatelli and of Hayez; won the great prize in 1837, and went to Rome. After painting classical and romantic subjects, finally devoted himself entirely to the representation of Milanese popular life. Implicated in the revolution in 1848, he fled to Switzerland, then went to Tuscany, and returned to Milan in 1859. Works: Alexander; Oath at Pontida; Samuel anointing David (1840), Vienna Museum; The Smugglers; Bread and Tears; The Beggars; Soldier's Grief; Conflagration; Dispatch; The Rosary; Pawnbroker's Shop; Victor Emmanuel laying Corner Stone of Milan Gallery (1878). L'lllustrazione ital. (1878), No. 45; Larousse, ix. 669); Vapereau (1880), 974; Wurzbaeh, x. 204.
INDUNO, GIROLAMO, Cavaliere, born in Milan in 1827. Genre painter, pupil of Milan Academy; first exhibited in Paris in 1855, pictures of military life and humorous
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Incendio del Bogo, Raphael, Stanza dell' Incendio, Vatican.
scenes of the Rococo period which have
gained him a prominent place among modern Italian artists. Works: Garibaldi's Soldiers. Sutler (1855); Letter from (lamp;
Tale of the Garibaldian; Salutes between
Gianduia and Meneghino, Garibaldian Sentinel. Farewell of the Conscript (1808); Museo Civico, Turin; Battle of Magenta; Gallant Friend of the Family; Lady Artists
Overheard; Expectation; Return of Garibaldian; Bridal Pairs; Eleonore d'Este
grieving about Tasso (1870); Bivouac near
Capua; First Snow; Battle of Palestro;
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