MADONNA tion to M. de Montarsis, thence to M. Rondo <lu Roy, from whom bouglit by Due d'Or- li'ans ; transferred to canvas by Hacquin ; bouglit by Duke of Bridgewater for 3,000. Old copies in museums of Berlin and Na- ples, National Gallery, London, and Histori- cal Society, New York. Engraved by Bou- langer ; Larmessiu ; Romanet ; F. Poilly ; G. HeLnzmann ; Giudetti (1827) ; Scliuller (1827); Loriclion (1832); C. Cattaneo; Dul- iner ; Landon. Passavant, ii. 110 ; Spring- Madonna of Burgomaster Meyer, Hans Holbein, Darmstadt cr (Dohme, 2ii.), 74; Cab. Crozat, i. 21; Gower, Hist. Gal. of England ; Gruyer, Yierges de Raphael, iii. 82 ; Liibke, Raph- ael, 55, 105 ; Waagen, Treasures, ii. 27, 493. MADONNA, BURGHLEY HOUSE, Jan van Eyck, Marquis of Exeter, Burghley House, near Stamford, England. The Vir- gin with Infant Christ in her arms, and St. Barbara presenting the donor, an ecclesias- tic in white robes, who is kneeling. Waa- gen, Treasures, iii. 406. MADONNA OF BURGOMASTER MEYER, Hans Holbein, the younger, Col- lection of Princess Charles of Hesse Darm- stadt ; wood, H. 4 ft, 9 in. x 3 ft. 4 in. The Virgin, as Queen of Heaven, standing in a niche, holding Jesus, who extends one hand in benediction ; on left, kneeling, are Jacob Meyer, burgomaster of Basle, and a youth, the latter holding a nude infant standing ; on right, kneeling, are Meyer's first wife, Magdalen Ber, his second wife, Dorothea Kannengiesscr, and Dorothea's daughter Anna. Painted about 1525-26. Bought in Paris in 1822 from M. Delehante by Prince "VVilhelm of Prussia for 2,500 thalers. Rep- lica in Dresden Gallery. Mantz, Hans Hol- bein, 54 ; W. & W., ii. 469 ; Kugler (Crowe), i. 206 ; Forster, v. MADONNA OF BURLEIGH HOUSE, Titian, Burleigh House, England ; half- length, half of life-size. The Virgin, seated on a stone bench in front of a landscape, looks fondly at Jesus, who smiles as he lies full-length in her lap. Painted about 1508. C. & C., Titian, i. 111. MADONNA OF CADORE, Titian (?), parish church of Cadore ; canvas, H. 2 ft. x 4 ft. 3 in. The Virgin (Titian's last wife ?) bends over Jesus, to whom she gives the breast ; to the right, St. Andrew (Francesco Vecelli), bending under a large cross ; to the left, St. Titian of Oderzo (said to be Marco Vecelli) kneeling in prayer, with an acolyte (Titian himself) bearing a crozier. Painted about 1560, after death of bis brother Francesco Vecelli, probably by Orazio Veeelli, though Vasari assigns it to Titian. The part containing the Madonna and St. Andrew was cut out by a thief, but recovered and restored to its place. Vasari, ed. Mil., vii. 442 ; C. & C., Titian, ii. 297 ; Ridolfi, Maraviglie, i. 265 ; Gilbert, Cadore, 96, 98. MADONNA DE' CALZOLARI (of the Shoemakers), II Sodoma, fresco on a house, corner of the Piazza de Tolomei, Siena. The Virgin, with Jesus in her arms, between SS. John, Francis, Roch, and Crispin, the 130
Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/168
This page needs to be proofread.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/b/b7/Cyclopedia_of_Painters_and_Paintings%2C_1887%2C_vol_3.djvu/page168-1024px-Cyclopedia_of_Painters_and_Paintings%2C_1887%2C_vol_3.djvu.jpg)