WORNDLE Fountain in Burgos (1863), Laval Museum ; Tavern in the Asturias, Departure of Smug- glers (1865) ; Kitchen in Valencia, Race in Valencia (1866) ; Scene in Old Castile (1867) ; Romance a. la Mode (1868), Luxembourg Museum ; Welcome Visitor, Precocious Tal- ent (1869) ; Selling a Mule, Box of Letters (1870); Sheep-Shear- ing in Granada (1872) ; An Aunt by Succes- sion (1873); Little Cabinet-Maker (1874); Sensational News, One's Vocation (1875) ; Dancing the Vito in Granada, Going to the Review (1876) ; Fountain of the Bull in Granada (1877), Miss C. L. Wolfe, New York ; Distracted Barber, Every Age has its Pleasures (1878) ; Pastoral Tournament (1879) ; Before the Alcalde (1880) ; Public Writer (1882) ; Politicians (1883). Bellier, ii. 725 ; Larousse. WORNDLE VON ADELSFRIED, AU- GUST, born in Vienna in 1829. History painter, pupil of Vienna Academy. Works : Journey of the Magi with their Retinue, Vienna Museum ; Jacob and Rachel at the Well (1860) ; Hannibal crossing the Alps ; Count Starhemberg on the Earthwork (1871). In fresco : The Stations, Arcades of Ceme- tery, Innsbruck ; Scenes in Life of Christ, Chapel of Castle Ambras, near Innsbruck. WORNDLE VON ADELSFRIED, ED- MUND, born in Vienna in 1827. Land- scape and figure painter, brother of pre- ceding, pupil of Vienna Academy under Steinfeld and Thomas Ender, and much in- fluenced by Fuhrich ; went in 1855 to Pal- estine, then studied for a year and a half in Italy, and settled at Innsbruck in 1859. Many of his works are in private collections there, and several are in possession of the Im- perial family. Keen observation of nature and strong contrast of colouring are the main features of his pictures, and he is equally happy in the representation of the sunny south and the grandeur of his native glaciers. Works : Eight Tyrolese Views in tempera, Savings Bank, Innsbruck ; Orvi- eto, Ideal Eastern Landscape with Samson and the Lion, Ferdinandeum, ib.; Castle Tyrol, Crown Prince Rudolph of Austria ; Apollo among the Shepherds ; Orpheus in Erebus ; Multiplication of the Loaves ; Christ and the Woman of Samaria ; Par- cival Cycle (18 cartoons, 1883). Allgem. K. C., viii. 398, 720. WOROBIEFF, MAXIME NIKIFORO- VICH, born in 1787, died in St. Peters- burg in 1855. Architecture and landscape painter, pupil of Schtschedriu and of Alexe- jeff ; visited the East and Italy, and became professor at St. Petersburg Academy in 1825. Works : View of Moscow (1818), Interior of Armenian Church in Jerusalem, Interior of Church of Golgotha (1824), Sub- terranean Church at Bethlehem (1833), Her- mitage, St. Petersburg ; View of Constanti- nople ; The Neva Quay in a Summer Night. Cotta's KunstbL, 1842 ; Raczynski, iii. 538. WOUNDED, SALUTING THE (Salut aux blesses), fidouard Detaille, Samuel Hawk Collection, New York ; canvas. A convoy of German prisoners, on foot, pass- ing a French general and his escort, mount- ed, on the highway ; the latter salute the captives with military politeness, the offi- cers by raising their caps, the cuirassiers by the ordinary gesture. Painted in 1875 by commission from Mr. Samuel Hawk from a sketch submitted by the artist. This sketch, also in Hawk Collection, represents French prisoners escorted by helmeted Ger- mans, but the artist finally changed the re- spective uniforms out of regard to the feel- ings of his friends, who objected to sending to America a painting of French prisoners. At Detaille's request, the picture was re- turned to France for exhibition in the Sa- lon of 1877 ; but the objection was again raised that it would be ridiculous to exhibit in public a scene representing German pris- oners, so the artist redressed the captives 448
Page:Cyclopedia of Painters and Paintings, 1887, vol 4.djvu/520
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