- troclus, Hercules and Omphale; St. Magdalen,
New Pinakothek, Munich; Venus Anadyomene; Portrait of Count Ludolff, Brunswick Museum; do. of Nelson (1800), National Portrait Gallery, London.—Allgem. d. Biogr., viii. 177; Andresen, ii. 89; Brockhaus, vii. 398; Wurzbach, v. 1.
FUGITIVES, Léon Glaize; private gallery.
People are escaping from Athens
during a siege by being let down from the
walls at night by means of ropes. Several
groups are represented suspended in mid-*air,
with a shadowy abyss below, and the
city walls, lighted by the moon-beams, behind
them. Salon, 1877.
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FÜHRICH, JOSEF, Ritter VON, born
at Kratzau, Bohemia,
Feb. 9, 1800, died in
Vienna, March 13, 1876.
German school; history
painter, pupil of Prague
Academy under Bergler,
went in 1826 to
Rome, where he joined
the German Pre-Raphaelites,
and assisted
Overbeck in painting
the frescos in the Villa Massimi. Called to
Vienna in 1834 as custodian of the Academy
Gallery, he was appointed professor at the
Academy in 1841. In 1854-61 he was occupied
in painting frescos in the Altlerchenfeld
Church, a monumental work, for which
he was knighted and decorated with the order
of the Iron Crown. Gold medal in 1841,
member of Munich and Berlin Academies;
Commander of Order of Francis Joseph in
1872. Works: Death of Otto von Wittelsbach
(1817); St. Ivan found by Duke Borivoj
(1817); Christ on his Way to Mount of
Olives; Joshua before Jericho; The Jews
Mourning; St. Adelheid and Francis of Assisi;
Incarnation; Boaz and Ruth; St. Gudule;
St. Filomena; Mary and Joseph on
Journey to Bethlehem; Christ in Glory;
Christ asleep in the Ship during Storm;
Moses receiving Commandments from God,
Apparition of Fighting Horsemen frightening
Inhabitants of Jerusalem (1844), Mary's
Walk over the Mountains (1841), Vienna
Museum; Triumph of Christ, Raczynski
Gallery, Berlin; St. Ann (1844); Disciples
on Way to Emmaus; Joseph's Dream;
Pietà; Shepherds on Way to Manger;
Peter's Draught of Fish (1850); Judgment
of Solomon; First Baptism in Samaria;
The Body of St. John of Nepomuk found in
the Moldau, Triumph of Christianity in Germany,
Schack Gallery, Munich; Beheading
of St. James, Leipsic Museum; Christ on
Mount of Olives; Jacob and Rachel; Madonna;
Rudolf von Hapsburg and the Priest
(1870). Frescos: Three Scenes from Tasso's
Jerusalem (1827-29), Villa Massimi, Rome;
Fourteen Stations on Christ's Walk to Golgotha,
St. Nepomuk, Vienna; Raising of Lazarus,
Last Judgment, Fall of the Condemned,
Altlerchenfeld Church, Vienna.—Allgem. d.
Biogr., viii. 185; Brockhaus, vii. 401; Illustr.
Zeitg. (1874), ii. 451; (1875), i. 487; Schack,
Meine Gemäldesammlung (1885), 79; Wurzbach,
v. 5; Zeitschr. f. b. K., iii. 189, 209;
vi. 198; xvii. 33; Zimmermann, Studien
und Kritiken, ii. 340.
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FULLER, GEORGE, born at Deerfield,
Mass., in 1822,
died in Boston,
March 21, 1884.
Figure and portrait
painter,
studied in Boston,
New York,
London, and on
the Continent
of Europe.
Painted portraits
at first,
for many years. Elected an A.N.A. in 1857;
member of Society of American Artists.
Memorial exhibition of his works at Museum
of Fine Arts, Boston, 1884. Works:
Cupid (1854), Miss I. M. Ames, New York;
Negro Nurse with Child (1861), Waldo Higginson,
Boston; At the Bars, Farmyard
(1865), Mrs. M. Y. Wynne, Boston; Shearing
the Donkey (1877-79), C. R. Grant,
