Merit; Order of Oaken Crown of Holland. Works: Render unto Cæsar the things that are Cæsar's (1831), Ghent Museum; Christ healing the Blind (1833), Tournay Cathedral; Duke of Alva in the Netherlands, Travelling Musicians (1834); The Beggars (1834), Liège Museum; Job and his Friends (1835), formerly in Luxembourg Museum; Death of Palestrina; Montaigne visiting Tasso in Prison (1836), King of Belgium; The Penitent (1836); Battle of Mont Cassel (1837), Conquest of Antioch by Godfrey de Bouillon (1840), Count Baldwin crowned at Constantinople in 1204, Duc de Biron (1835), Versailles Museum; Abdication of Charles V. (1841), Brussels Museum; replica (1849), Städel Gallery, Frankfort; Temptation of St. Anthony (1848), King of Belgium; Triumph of Genius, Broken Violin-Bow (1850); Obsequies of Egmont and Horn (1851), Tournay Museum; Slavic Musicians (1852), Ravené Gallery, Berlin; Gypsy with Children (1852); Song of Prisoners (1855); Francis I. in Leonardo da Vinci's Studio (1857); Egmont's Last Hour (1858), Capuchin Monk, National Gallery, Berlin; Joanna la Folle (1859), Brussels Museum; Oath of Vargas, San Donato Gallery; Alva contemplating the beheaded Counts Egmont and Horn, Art and Liberty (1859), Power of Music (1860), Peace, War (1872), W. T. Walters, Baltimore; Alva signing Death-Warrants (1863); Monk feeding the Poor, New Pinakothek, Munich; The Prisoner, W. H. Vanderbilt, New York; Italian Revenge; Samson and Delilah; Fisherman's Widow; Murillo finding Model for his Madonna; Prayer after Vintage; Plague in Tournay (1882), Brussels Museum; Portraits of Pius IX. (1861), and of Cardinal Antonelli (1862); Fifteen historical portraits of Warriors, Legislators, and Patrons of Art and Letters, Senate Chamber, Brussels.—Art Journal (1866), 101; Brockhaus, vii. 476; Immerzeel, i. 259; Kramm, ii. 526; Springer, Gesch., 198; Zeitschr. f. b. K., xvii. 370; Riegel, Wandmalerei in Belgien, 36, 44.
GALLEGOS, FERNANDO, born at Salamanca
about 1475, died there in 1550.
Spanish school; pupil of Pedro Berruguete,
but painted in the manner of Roger van der
Weyden. One of his best works, a Madonna
with SS. Andrew and Christopher, was executed
for the chapel of S. Clementi in the
Cathedral of Salamanca. Works: Altarpiece
in Cathedral at Zamora; Two Bishops
and Two Saints, Academy, Valladolid; Visitation,
Life of St. John the Baptist (5),
Madrid Museum.—Stirling, i. 120.
GALLERANI, CECILIA, portrait, Leonardo
da Vinci, lost(?). Painted in Milan
about 1485-89, for Lodovico Sforza (Il
Moro), Duke of Milan, whose mistress she
was. She afterwards married Count Lodovico
Pergamino. In last century this picture
was in possession of Marquis Bonesana,
Milan. A replica, or copy, belonging to
Professor Franchi, Milan, passed for a St.
Cecilia. Another portrait of her by Leonardo
belonged to the Pallavicini family of
San Calocero. He also painted her as a
Madonna, called the M. della Rosa. In this
picture, which Amoretti saw in Milan, the
Virgin is urging Jesus to bless a rose.—Vasari,
ed. Mil., iv. 87; Rigollot, Hist. des
Arts, etc., i. 299; Amoretti, Mem. storic. di
L. da Vinci, 38, 80, 165; Heaton, 279, 280.
GALLI. See Bibiena.
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GALLOCHE, LOUIS, born in Paris,
Aug. 24, 1670, died July 21, 1761. French
school; pupil of Louis de Boullongne; obtained
the first prize in 1695, spent two
years in Rome, and after his return to France
opened a school. Was received into the
Academy in 1711, made professor in 1720,
rector in 1746, and chancellor in 1754. He
had a pension from the king, and was lodged
at the Louvre.
Works: Alcestis
restored to
Admetus (1711),
Louvre; St.
Peter in Captivity,
Rennes Museum; St. Ambrose reviving
a Child, Nancy Museum; Angelica and
