*donna with Saints, Madonna del Riposo, Raising of Lazarus, St. Peter Martyr, Discovery of the Cross, Municipal Gallery; and several in the Duomo. Works in other cities: Tiburtine Sibyl, La Zingarella (?), Holy Family, Palazzo Pitti, Florence; Annunciation, Uffizi, ib.; Madonna with Saints (1518), Venice Academy; Deposition from Cross, Crucifixion, Brera, Milan; Madonna with Saints, Modena Gallery; Entombment, Deposition, Palazzo Borghese, Rome; Adoration of Magi, Deposition, Naples Museum; Triumph of Bacchus, Mars and Venus, Neptune and Pallas, Madonna in Adoration, Dresden Gallery; Holy Family, Vatican, Rome. The pictures of Garofalo are almost always pleasing. He was a good draughtsman and colourist, though sometimes a little too vivid in his reds and greens for perfect harmony of effect. According to Vasari he was totally blind during the last nine years of his life.—Vasari, ed. Mil., vi. 459; Burckhardt, 691; Seguier, 208; Cittadella, Mem. di Ben. Tisi (Ferrara, 1872); Ch. Blanc, École ferraraise; Lübke, Gesch. ital. Mal., ii. 378; Zeitschr. f. b. K., x. 210.
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GARRARD. See Geerarts.
GARRICK AS RICHARD III., William
Hogarth, Earl of Feversham. Painted in
1746. Hogarth was paid for it by Mr. Duncombe,
of Duncombe Park, Yorkshire, £200;
"more," he says, "than any English artist
ever received for a single portrait."—Dobson,
63.
GARRICK BETWEEN TRAGEDY AND
COMEDY, Sir Joshua Reynolds; canvas.
Garrick, seen to knees, standing, looks with
an appealing, half-ashamed expression at
Tragedy, while turning towards Comedy,
unable to resist her allurements. Painted
in 1761; sold to Lord Halifax for 300 guineas;
at his sale to Mr. Angerstein for 250
guineas. Engraved by E. Fisher.
GÄRTNER, EDUARD (JOHANN PHILIPP),
born in Berlin, June 2, 1801, died there,
Feb. 22, 1877. Architecture painter, pupil
in Cassel of Maler Müller; returned to Berlin
in 1813 and for six years was apprenticed
in the porcelain factory, made a tour to the
North Sea in 1821, studied in Paris in 1824-27,
and painted for the Czar in St. Petersburg
and Moscow in 1837-39. Member of
Berlin Academy in 1833. Works: The former
Reetzen Street in Berlin (1831), National
Gallery, Berlin; others in the Royal Palaces,
ib.—Jordan (1885), ii. 68.
GÄRTNER, FRIEDRICH, born in Munich,
Jan. 11, 1824. Architecture painter,
pupil of Munich Academy and of Simonsen,
studied then in Paris under Jacquand; travelled
extensively, and settled in Munich in
1857. Works: From the Alhambra; Interior
of House in Tetuan; Street in Algiers;
Mosque El Kebir in Algiers; Convent Yard
in Moonlight, Interior of Moorish Building,
New Pinakothek, Munich.—Müller, 193;
Brockhaus, vii. 564.
GÄRTNER, HEINRICH, born at Neu-Strelitz,
Mecklenburg, in 1828. Landscape
painter, pupil in Berlin of Schirmer, and in
Dresden of L. Richter. He was much influenced
by Genelli at Munich and by Cornelius
at Rome (1856). Works: Landscape
with Return of Prodigal Son (1859), Leipsic
Museum; Scenes from Life of Psyche
(1865-66), Villa Dürr, near Leipsic; Cycle
of landscapes (14) representing Development
of Sculpture (in fresco, 1878).—Müller,
194; Brockhaus, vii. 564; Zeitschr.
f. b. K., ii. 81.
GASCAR, HENRI, born in Paris in 1635,
died in Rome, Jan. 18, 1701. French
school; portrait painter. Long lived in
England, where he became Lely's competitor,
and was patronized by the Duchess of
Portsmouth. Left England about 1680,
having made, it is said, £10,000 in a few
years. Member of the Academy in 1680.
Work, The Duchess of Portsmouth as
Flora, Hampton Court.—Redgrave, Jameson,
Hand-Book to Public Galleries, 592;
Taylor, The Fine Arts, ii. 366.
