- Changer (1857); Address of the Emperor
on the Distribution of Eagles (ordered by State in 1855); Around the Bowl (1861), Anvers Museum; Misery (1861); Dangerous Reefs (1864), Luxembourg Museum; Slavery (1865), Narbonne Museum; St. Geneviève stopping Attila, St. Geneviève saving Lives of Prisoners, Devotion to St. Geneviève (1865, frescos), St. Gervais, Paris; Monna Belcolore (1866); Posterity addressing Joan of Arc (1867); Blood of a Martyr (1868); Caligula's Jest (1869); Insulting Christ (1869), Ministry of Fine Arts, Paris; Jesus the Saviour, Psyche Abandoned (1870); Spectacle of Human Folly (1872); Path in Rosebois (1874); Two Neighbors (1879); Psyche (1880); First Steps (1881); Foolish Virgins, Subject from Musæus (1882); Vote of Gaspard Duchâtel (1883); Around the Truth, Hours of Life (1884).—Bellier de la Chavignerie, i. 665; Claretie, Peintres, etc. (1874), 199; Larousse; Meyer, Gesch., 403; Müller, 209.
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GLAIZE, (PIERRE PAUL) LÉON, born
in Paris, Feb. 3,
1842. History and
genre painter, son
and pupil of Auguste,
and pupil of
Gérôme; received
honourable mention
in 1859 for his
Treason of Delilah.
Medals: 1864, 1866,
and 1868; 1st class,
1878; L. of Honour, 1877. Works: Faun
and Nymphs (1861), Montauban Museum;
Samson taken by the Philistines (1861);
Æsop at House of Xanthus (1863), Dijon
Museum; Samson breaking his Bonds
(1864), Mulhouse Museum; Christ and
the Ten Lepers (1866), Church of White
Friars, Paris; Penelope's Nights (1866),
Brussels Museum; Minerva's Shield (1867),
Montauban Museum; Young Girl facing
Death (1869); The First Duel (1870), Arles
Museum; Death of Saint Louis (1872),
Church of St. Louis d'Antin; Lucia, Bielle
the Bouquet-Seller (1874); Conspiracy in
Early Rome (1875), Luxembourg Museum;
Orpheus (1876); Fugitives (1877); portrait
of J. L. Gérôme (1879); The Awakening
(1881); Feast in Honour of Theseus (1885).—Bellier
de la Chavignerie, i. 665; Müller,
209.
GLANTSCHNIGG, ULRICH, born at
Hall, Tyrol, in 1661, died at Bozen in 1722.
German school; history painter, pupil of
Deutenhofer, then in Venice of Heinrich
Frisch and Carlotto; travelled in Italy,
Switzerland, visited Munich, and settled in
Bozen in 1686. Painted also attractive
genre pieces, with figures in Tyrolese costume,
found in many private collections.
Works: Legend of St. Francis of Assisi
(1712), Franciscan Church, Bozen; The
Three Magi, St. Catharine, Parish Church,
ib.; Christ feeding the Five Thousand, City
Hall, ib. His son and pupil, Josef Anton
(1695-1750), was also an able and versatile
artist, who worked for many years at Würzburg.—Wurzbach,
v. 205.
GLASS, JAMES W., born about 1825,
died in 1857. Historical genre painter, pupil
of Huntington in New York in 1845.
Lived and painted in London from 1847 to
1856. His Last Return from Duty, an
equestrian portrait of the Duke of Wellington,
painted in England, was bought by
Lord Ellesmere, and repeated for the Queen.
Works: Free Companion; Puritan and
Cavalier; Edge Hill; Battle of Naseby,
Wright Collection; Royal Standard.—Tuckerman,
421.
GLAUBER, JAN, called Polydor, born at
Utrecht in 1646, died at Amsterdam or
Schoonhoven in 1726. Dutch school; landscape
painter, pupil of Berchem. After
spending a year (1671) in Paris with the
flower-painter, Picard, and two years in
Lyons with Arij van der Kabel, he went to
Rome, in company with his brother, Jan
Godlieb, and his sister, Diana, also a skilful
artist, and was received under the name of
Polydor into the society of Dutch and German
artists there, called the Schilderbent.
