and under Steinfeld at the Vienna Academy, and after his return to Cracow became professor at the university. Visited Munich, and having spent two years in Rome, returned in 1835. His landscapes, views in the Carpathian mountains and in Galicia, were in great demand, and are mostly in private collections at Cracow.—Wurzbach, v. 220.
GOBAUT, GASPARD, born in Paris,
December 27, 1814. Landscape and battle
painter, pupil of his father and of Siméon
Fort. Medal, 3d class, 1847; L. of Honour,
1871. Works: Eleven water-colour
views in Algiers, nine views near Paris
(1847); Siege of Rome in 1849 (1852); Battles
and Skirmishes in Italian Campaign of
1859 (10, 1861); Views in Jura Mountains,
Pyrenees, etc. (1864-70); Battles of Magenta
and Solferino (1870); Arm of the Seine,
Skirmish at Villersexel in 1871 (1877).—Bellier
de la Chavignerie, i. 667.
GOBBO, ANDREA DEL. See Solario,
Andrea.
GOBBO DA MILANO. See Solario, Andrea.
GÖBEL, KARL, born in Vienna in 1824.
Portrait, genre, and landscape painter in
water-colours, son of Karl Peter, pupil of
Vienna Academy; travelled extensively in
France, Spain, Italy, Hungary, and Russia.
Works: Fisherman's Family returning
Home; Camp of Army-Train; Gibraltar;
Cathedral of Valencia; Escorial; Painters
in Gypsy Camp; Pilgrimage to Mariazell;
Coal Sledge; Pifferari.—Müller, 92; Wurzbach,
v. 234.
GÖBEL, KARL PETER, born at Würzburg
in 1791, died in Vienna in 1823.
Portrait and history painter, pupil of
Vienna Academy, where he won several
prizes. Works: Jacob blessing Sons of
Joseph (1820), Vienna Museum; Moses
(1821); Death of Dido (1822).—Wurzbach,
v. 234.
GOD THE FATHER, WITH SAINTS,
Fra Bartolommeo, Lucca Gallery; wood,
figures under life-size; dated 1509. The
Eternal, enthroned on the clouds, attended
by cherubim and seraphim, with right hand
raised in benediction; below, St. Catherine
of Siena on the left, and Mary Magdalen on
right, both kneeling in ecstacy and raised
from the ground by a band of cherubim.
Painted for Convent of S. Pietro Martire,
Murano; but it remained in the hands of
Fra Bartolommeo, who is supposed to have
presented it to the Prior Santi Pagnini, of
the Convent of S. Romano, Lucca; removed
lately to the gallery.—Vasari, ed. Mil., iv.
192; Marchese, ii. 52, 246, 363; C. & C.,
Italy, iii. 448.
GOD APPEARING TO NOAH, Raphael,
Stanza d'Eliodoro, Vatican; fresco on ceiling.
God the Father, accompanied by two
angels, descending from heaven, and about
to address Noah, who kneels in adoration;
one of Noah's sons is near him, the two
others with their mother, who, holding one
in her arms, looks out from the door of her
house. Vasari calls this the Covenant with
Abraham. Painted in 1513-14. Engraved
by Fr. Aquila; Michel Corneille; S. Rouillemont.—Vasari,
ed. Mil., iv. 346; Müntz,
370: Passavant, ii. 128.
GODDESS OF DISCORD, Joseph M.
W. Turner, National Gallery, London; canvas,
H. 4 ft. 11 in. × 7 ft. The Goddess of
Discord choosing the apple of contention in
the Garden of the Hesperides. The three
daughters of Hesperus, Ægle, Hespere, and
Erytheïs, dwelt in the garden, where they
had charge of the tree of the golden apples,
the gift of Earth to Juno on her wedding-*day.
The Hesperides and the garden were
guarded by the dragon Ladon, destroyed by
Hercules in his eleventh labour. The Goddess
of Discord, not having been invited to
the marriage feast of Peleus and Thetis,
procured one of these apples, and writing
upon it, "For the most beautiful," threw it
among the guests at the feast. It was
claimed by Juno, Minerva, and Venus.
Jupiter, to end the strife, ordered that the
dispute should be settled by Paris, the
shepherd of Mt. Ida. The Judgment of