1643), Old Pinakothek, Munich; do. (3, 1633, 1643), Dresden Gallery; View on Canal (1653), Leipsic Museum; Village Scene (1623), Pasture (1635), Brunswick Museum; Flat Country with Halt of Travellers (1628), do. with Peasants Conversing (1631), View of Nymwegen (1642), Fort Lillo on the Scheldt (1643), Gotha Museum; Canal with Boats, Städel Gallery, Frankfort; do. (2), Musée Rath, Geneva; Landscape (1645), Amalienstift, Dessau; View of Fortified Town, Marine (?), Kunsthalle, Hamburg; Winter (1621), Summer, View in the Downs (1629), View of Arnheim (1646), do. of Nymwegen (1649), Winter Landscape (1650), River-Bank, Berlin Museum; Flat Country, Museum, Vienna; Marine View, Academy, ib.; Dutch City (1645), Copenhagen Gallery; Village on Canal, View of Vliessingen (1643), Downs near Scheveningen, Landscape with Skaters (1645), View of the Meuse (1645), Canals with Buildings (2), Hermitage, St. Petersburg; Moordyke, Metropolitan Museum, New York; Castle and Seaport, Historical Society, ib.; Moonlight, River Scene, Pennsylvania Academy, Philadelphia.—Allgem. d. Biogr., ix. 522; Ch. Blanc, École hollandaise; Dohme, 1ii.; Gaz. des B. Arts (1875), xii. 138, 298; (1878), xvii. 134; Immerzeel, i. 290; Kramm, ii. 596; Kunst-Chronik, xix. 28, 602; Riegel, Beiträge, ii. 352; Zeitschr. f. b. K., ix. 12.
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GOYET, EUGÈNE, born at Châlon-sur-Saône, Feb. 7, 1798, died in Paris, May 17, 1857. History and genre painter, pupil of Gros. Son of Jean Baptiste Goyet, genre painter (1779-1854). Medals: 2d class, 1831; 1st class, 1839. Works: Cimabue or the Renaissance of Painting (1831); Chancellor Voysin and Louis XIV. (1833); Christ (1839), Châlon Museum; Foulques de Villaret (1841), Versailles Museum; St. Luke healing a Sick Child (1841), St. Luke's, Paris; Four Evangelists (1842), Church of St. Médard, ib.; Simon the Just, St. Cecilia (1842); St. Germain, Bishop of Auxerre (1843), Montpellier Cathedral; Apparition of Christ to St. James (1844); Jesus in the Garden of Olives (1845); Portrait of Pius IX. (1848); Massacre of the Innocents (unfinished, 1857), Montpellier Museum.—Bellier de la Chavignerie, i. 684.
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GOZZOLI, BENOZZO, born in Florence
in 1424, died
there in 1498.
Florentine
school. Real
name Benozzo di
Lese di Sandro;
pupil of Fra Angelico,
whom he
followed to
Rome, and his
assistant at Orvieto
in 1447. He parted from him in
1449, and established himself at Montefalco,
near Foligno, where he remained until 1456
and executed many important works in the
manner of his master, though they are far
from approaching him in spiritual power.
Those in S. Fortunato consist of a Madonna
with Saints and Angels, an Apotheosis of
the titular Saint, an Annunciation, and St.
Thomas receiving the Girdle, now in the
Museum of St. John Lateran, Rome. In S.
Francesco, Benozzo filled the choir with a
triple course of episodes from the life of St.
Francis, and painted a Madonna and Saints
and other frescos in the Chapel of St. Jerome
in the same church. In 1456, after painting
in Perugia the Madonna and Saints,
now in the Academy, Benozzo returned to
Florence, and was employed by Piero de'
Medici to paint a series of frescos representing
the Journey of the Magi to Bethlehem,
in the Chapel of the Palazzo Riccardi. In
these, like the realists, he made Scripture
incidents a vehicle for the treatment of rich
costume, animal life, and landscape. In
1463-67 he painted in S. Agostino, San
