Little Cat, Lover of Flowers, Lost Happiness, Peasant's Family (1876); Washing Statue of Venus; Welcome (1878); Still Life, Studio, Fruit-Seller, Portrait of Old Lady (1878); Two Old People (1880); Artilleryman's Story of the Battle, Ghent Museum.—Illustr. Zeitg. (1873), ii. 473; Müller, 227; Rosenberg, Berliner Malerschule, 308; Leixner, D. mod. K., i. 42; D. Rundschau, ix. 319; xiii. 328; Zeitschr., xv. 45; xvi. 145.
GÜTERBOCK, LEOPOLD, born in Berlin,
died March 21, 1881. Genre painter,
chiefly of historical and Oriental scenes,
which he executed with humour and fine
colouring. Works: Scene from Götz von
Berlichingen; Severe Lecture; Drug-Store
in 11th Century; Old Toper; Recruiting
in Thirty Years' War; Columbus at La Rabida;
At City Hall of a German Town at
the End of Thirty Years' War; Forbidden
Reading, Stettin Museum.—Müller, 227.
GUTHERS, KARL, born in Switzerland
in 1844. Portrait and genre painter, went
to America with his parents in 1851, and
painted portraits at Memphis, Tenn.; went
in 1868 to Paris, where he studied under
Cabasson, Pils, and at the École des Beaux
Arts; studied in Brussels and Antwerp in
1870, and in 1871 went to Rome; returned
to Memphis in 1873, and moved to St. Louis
in 1874. Works: Awakening of Spring
(1871); Ecce Homo; Evening on the Nile;
Sappho; American Women. Many excellent
portraits.—Müller, 227.
GUY, SEYMOUR JOSEPH, born in
Greenwich, England, Jan. 16, 1824. Genre
painter, pupil of Buttersworth and of Ambrose
Jerome, English painters. Settled in
New York in 1854; elected an A.N.A. in
1861, and N.A. in 1865. Studio in New
York. Works: The Spring (1865); Sorrows
of Little Red Riding Hood; Orange Girl;
Fair Venice; Supplication; Knot in the
Skein; The Gamut; Children catching the
Bird; Little Sweeper, C. P. Huntington,
New York; Bedtime Story, T. B. Clarke,
ib.; Cash in Hand, First Up, T. M. Scott,
San Francisco; Making a Train, G. Whitney,
Philadelphia; Spirit of '76 (1880);
Waiting (1882); See-Saw Margery Daw
(1884).—Sheldon, 65.
GYÁRFÁS, EUGEN, born in Hungary;
contemporary. Genre painter. Works:
The First Tooth; Judgment at the Bier
(1883); Joys of Winter (1884).—La Illustracion
(1884), i. 395; Kunst-Chronik, xix.
351; Zeitschr. f. b. K., xix. 230.
GYNECEUM (Le Gynécée), Gustave Boulanger,
Paris. The female apartments in a
Pompeiian house. In a Corinthian atrium
the mistress of the house, seated under an
awning, watches her children at play, while
her husband comes in at the background
and is greeted by the dog, which runs to
meet him; around their mistress, maid-*servants
drive away flies and water flowers.
Salon, 1875.
GYSELS (Geysels, Gijzens, Gysen), PEETER,
born in Antwerp, baptized Dec. 3,
1621, died there in 1690 or 1691. Flemish
school; pupil of Jan Boots, perhaps also of
Jan Brueghel the younger, but formed himself
after Jan the elder; painted flowers,
fruit, and still life, also small landscapes.
Master of the guild at Antwerp in 1650.
His works are distinguished for good composition
and graceful treatment. Works:
Dead and Living Animals, Mr. Hope, London;
Dead Game, Marquis of Bute, ib.;
do., Brussels Museum; Still Life (last work),
Antwerp Museum; Game with Hunting Implements,
Hague Museum; do., Darmstadt
Museum; A Town, Amsterdam Museum;
ten pictures (landscapes and still life), Dresden
Gallery; Dutch Village, Landscape, Berlin
Museum; Windmill in level Country,
Old Pinakothek, Munich; do., Schleissheim
Gallery; Breakfast Table, Schwerin Gallery;
Fruit-piece, Hermitage, St. Petersburg.—Immerzeel,
i. 300; Kramm, ii. 615; Michiels,
v. 378; Rooses (Reber), 416; Van den
Branden, 416.
GYSIS, NIKOLAUS, born in Isle of Tinos,
Greek Archipelago, March 1, 1842. History
and genre painter, pupil of Munich Acad-
