(1868); Crucifixion (1871); Ecce Homo (1872); Resurrection (1872); do. (1873); Christ Crucified (1873); Disciples at Emmaus (1875); Christ and Peter on the Sea (1876). In fresco: St. Paul at Athens, Burning of Papal Bull at Wittenberg (1881-83), Gymnasium, Magdeburg; Cartoons for Stained Glass Windows in Prince Albert Mausoleum at Windsor Castle (1866).—Brockhaus, viii. 808; Müller, 235; Rosenberg, Berl. Malersh., 248.
HANNIBAL CROSSING THE ALPS,
Joseph M. W. Turner, National Gallery,
London; canvas, H. 4 ft. 9 in. × 7 ft. 9 in.
A lurid sun seen through a storm of snow,
which threatens to overwhelm the Carthaginians,
toiling through the passes, who are
also attacked by the savage mountaineers.
Royal Academy, 1812. Engraved by J.
Cousen in Turner Gallery.—Cat. Nat. Gal.
HANNEMAN, ADRIAEN, born at The
Hague in 1601, died there in 1668 or 1669.
Portrait painter, pupil of Ravesteyn; went
to England early in Charles I.'s reign,
painted for 16 years under Daniel Mytens,
the elder, and adopted much of Van Dyck's
manner. He returned afterwards to The
Hague (probably before 1640), became master
of the guild in 1640, court-painter to
Princess Mary of Orange, and in 1656 was
one of the founders of the new painters'
guild, Pictura, and its first dean. His portraits
are well drawn, full of expression, and
of fine colouring. Works: Portrait of Constantyn
Huygens and Children (1640) Hague
Museum; Portrait of Jan de Wit (1652),
Rotterdam Museum; Family Group engaged
in Music, Female Portrait, do. (1661), Brunswick
Museum; Portrait of Prince William
Frederick of Orange (1661), Weimar Museum;
do. of Great Elector (1659), Wörlitz
Gallery; do. of Charles I., and of Van Dyck,
Vienna Museum.—Allgem. d. Biogr., x. 522;
Burger, Musées, ii. 227; Immerzeel, ii. 13;
Kramm, ii. 637; Riegel, Beiträge, ii. 219.
HANNL, MAX, born in Prague in 1696,
died in Vienna in 1758. German school;
portrait painter, said to have been a pupil
of Kupeczky. His portraits show broad
treatment, powerful colouring, and fine impasto.
Works in Vienna Museum.
HANOTEAU, HECTOR, born in Decize
(Nièvre), May 25,
1823. Landscape
painter, pupil of
Gigoux. A painstaking
and skilful
realist. Medals:
1864, 1868, and
1869; L. of Honour,
1870. Works:
Arab Encampment
(1855); Meadows
of Charency, Pond in Nivernais (1857);
Morning on the Cauna (1859); Morning's
Fishing (1860); Springs at Charency (1861);
Horses at Liberty (1863); Paradise of Geese,
Marseilles Museum; Abandoned Hut (1864);
Corner of a Park (1865); Evening on the
Farm, After Fishing (1866); Larder of the
Fox-Cubs (1868); Reeds (1869); Passage of
Great Game (1869); The Summons (1870);
Village Pond (1870), Luxembourg Museum;
Cottage (1872); Honeysuckle (1873); The
Aumance, View on the Allier, Benevolent
Public (1874); Frogs (1875), Luxembourg
Museum; Laughing Water, Kids (1876);
Mill, Chief Place by the Fire (1877); Miller's
Excursion (1878); Victim of the Supper
(1879); Sleeping Water (1880); Wooded
Pond, My Garden (1881); Autumn, Hoeing
(1882); The Middle Row (1883); September,
April (1884); Peaks of the Grove, Useful
Man (1885).—Gaz. des B. Arts, xvii. 16,
162, 368; Larousse.
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HANS VAN KALKAR. See Kalkar.
HANSCH, ANTON, born in Vienna,
March 24, 1813, died in Salzburg, Dec. 8,
1876. Landscape painter, pupil of Vienna
Academy under Moessmer. Studied the
old masters, and made frequent journeys to
the Austrian Alps, to Switzerland, Upper
Italy, and Belgium. Gold medal, 1839.
Prizes, 1839, 1859, 1860. In 1848 he was
made member, and in 1871 senator, of the
Vienna Academy. Settled at Salzburg in
1873. He was one of the leading landscape
