to the belief that he was the great historical painter of the age, and that his efforts would in time be appreciated. His Raising of Lazarus (14 x 20 ft.), now in the National Gallery, was exhibited with some success in 1823, and a few years afterwards his Venus appearing to Anchises, Alexander taming Bucephalus, and Euclus. By teaching and lecturing he maintained his family for a time, but falling into new troubles and overwhelmed by disappointment at the cold reception given in 1846 to his Banishment of Aristides, and Nero watching the Burning of Rome, he committed suicide. Haydon's Lectures on Painting were published in 1844-46, and his Life from his autobiography and journals, edited and compiled by Tom Taylor, in 1853. Works: Portrait of Himself, Leigh Hunt, Anti-Slavery Convention, National Portrait Gallery; Punch or May-Day, Raising of Lazarus, National Gallery; Cassandra, Stafford House.-Correspondence, etc., by his son (London, 1876); Stoddard, Life, Letters, etc. (New York, 1876); Redgrave; F. de Conches, 419; Ch. Blanc, École anglaise; Art Journal (1856), 181.
HAYE, REYNIER DE LA, born at The
Hague (?), where mentioned as member of
the guild in 1662. Genre, portrait, and
still-life painter, in the manner of Terborch
and Metsu; removed from The Hague to
Utrecht, where he was received into the
guild in 1669; then appears as master of
the guild at Antwerp in 1672. Works:
Lady playing the Lute, Gotha Museum;
Flowers and Fruits, Festoon of Flowers
with Insects, Schwerin Gallery.
HAYEZ, FRANCESCO, born in Venice,
Feb. 10, 1791, died in Milan, Feb. 11, 1882.
History, genre, and portrait painter, pupil
of Maggiotto and of Venice Academy under
Cicognara; studied also in Farsetti Gallery,
then at Milan Academy, where in 1809 he
obtained the prize for Rome, there studied
under Palagi, and then went to Florence
and Venice; painted afterwards frescos in
the Vatican, Rome, and in Venice Academy;
went to Milan in 1820, and there became
professor at the Academy and the head of
the romantic school. One of the most
prominent among modern Italian painters,
especially noted as a colourist. Works:
Compassion of Ezekiel; Laocoön (1812);
Pietro Rossi taking Farewell of his Family
(1820), Brera, Milan; Sicilian Vespers;
Count Carmagnola hearing his Death Sentence;
Mary Stuart on her way to the Scaffold;
Filippo Maria Visconti and the Queens
of Aragon and Navarra (1829); Imelda de'
Lambertazzi; Peter the Hermit; Fugitives
of Parga; Maria Theresa at Hungarian Diet;
The Two Foscari, Vienna Museum; Foscarini
refusing the Hand of Valenza Graden-*niga
(1833); Last Moments of Marino Faliero;
Vittore Pisani called from Prison
to take Command of the Army; Thirst of
the Crusaders; Bath of the Nymphs; Rape
of Ida; Leda; Greek Pirates; The Kiss;
Battle of Magenta, Portrait of Cavour (1867);
Flight of Bianca Capello, National Gallery,
Berlin.—L'Illustrazione italiana, 1875;
Brockhaus, viii. 932; Nagler, vi. 18; Orloff,
ii. 262.
HAYLS, JOHN, died at Bloomsbury in
1679. Portrait painter, the contemporary
and in some degree the rival of Lely; was
an excellent copyist of Van Dyck. Works:
Portrait of Samuel Pepys, National Portrait
Gallery; Portraits of Bedford Family, Woburn
Collection.—Redgrave; Pepys' Diary,
Feb. 15, March 17, 30, April 11, June 14,
1666; see also do., Mynor Bright's edition
(1876) under April 13, 1666.
HAYMAN, FRANCIS, born at Exeter in
1708, died in London, Feb. 2, 1776. History
painter, pupil of Robert Brown, a portrait
and decorative painter (died 1753);
employed as scene painter at Drury Lane
and as an illustrator of books. Painted a
series of designs for Vauxhall Gardens,
which won him fame; became president of
the Society of Artists, and one of the foundation
members of the Royal Academy, of
which he was the first librarian in 1770.
Works: Finding of Moses, Foundling Hospital;
Portrait of himself with Sir R. Wal-
