among the Arabs (1852); House in Chambaudoin; The Pit-Sawyer (1855); Hunting, Fishing, The Gleaners (1857), Luxembourg Museum; A Sower at Chambaudoin, A Swineherd (1859); Spanish Porters (1861); The Sheep-Market at St.-Jean-de-Luz (1863), Valenciennes Museum; Sardine Women of Fontarabia, Allée des Tuileries (1865); Hunting, Fishing (1866); Restaurant in Constantine (1868); Door of a Mosque in Constantine, Street of Fontarabia (1870); Woman of St.-Jean-de-Luz going to a Funeral (1872); Spring-Time, Corner of a Park in the Month of May (1873); Interior of a Courtyard in Constantine (1874); Swine Market at St.-Jean-de-Luz (1875); Country Woman (1876); Arabs in a Tent (1879). Decorative paintings in Galerie des fêtes, Palais royal (1861), and Theatre français.—Bellier, i. 749; Du Camp, B. Arts, 170; Meyer, Gesch., 636; Vapereau (1880), 920.
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HEEM, CORNELIS DE, born at Leyden
(baptized ?), April 8, 1631, died in Antwerp,
buried May 17, 1695. Dutch school; still-life
painter, son and pupil of Jan Davidsz de
Heem, whom he followed to Antwerp about
1635, and there became master of the guild
in 1660; worked also at The Hague, where
he is mentioned in documents in 1676 and
1678. There is little doubt that many of
his works pass under the name of his famous
progenitor. Works: Fruit-piece (1671),
Brussels Museum; do., Th. van Lerius,
Antwerp; do., Hague Museum; do., Rotterdam
Museum; Grapes (1659), Bouquet,
Carlsruhe Gallery; Fruits with Vessels,
Musical Instruments and Globe, Cassel Gallery;
Cupboard, Gotha Museum; Fruit-piece,
Oldenburg Gallery; do., Cassel Gallery;
do., Berlin Museum; do., Schleissheim
Gallery; do., Leipsic Museum; do., Weimar
Museum; do. (2), Old Pinakothek, Munich;
Flowers around Bumper, Fruits and Oyster,
do. and Glass, Fruits and Lobster, Dresden
Gallery; Fruits and Oysters on Silver Tray,
Museum, Vienna; others in Liechtenstein
and Czernin Galleries, ib.; Fruit-piece,
Fruits and Flowers (2), Schwerin Gallery;
Flower-pieces (2), Stockholm Museum.—Kramm,
iii. 651; Rooses (Reber), 432; Van
den Branden, 870; Van Lerius, 249.
HEEM, DAVID DE, the elder, born at
Utrecht in 1570 (?), died at Antwerp (?) in
1632 (?). Dutch school; still-life painter of
distinction, of whose life nothing is known,
and some of whose works are possibly attributed
in public galleries to his famous son,
Jan. As, however, there were besides him
three other painters called David de Heem,
namely, his son, David the younger, master
of the guild at Utrecht in 1668, and to
whom is ascribed a Fruit-piece in the Amsterdam
Museum; David III. (born in 1628),
son of Jan Davidsz; and David IV. (1663-1718),
son of Cornelis, it is difficult to determine
to which of these the following
works should be assigned: Fruits with
Oysters and Wineglass (David the elder?),
Brunswick Museum; Fruits on Table, small
picture with cavern, Flower-piece, Uffizi,
Florence.—Kramm, iii. 652; Riegel, Beiträge,
ii. 439; Van Lerius, i. 213, 217.
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HEEM, JAN DAVIDSZ DE, born at
Utrecht, probably
in 1600,
died in Antwerp,
between
Oct. 14, 1683,
and April 26,
1684. Dutch
school; fruit
and flower
painter, son
and pupil of
David the elder. He first developed the
art of fruit painting; works distinguished
for admirable taste of arrangement, excellent
drawing, fine feeling for nature, and a
depth and richness of colouring sometimes
approaching Rembrandt. Works: Fruit-
