the National Academy, New York, in 1863. Visited Paris in 1874, and studied six years under Cabanel, and at the École des Beaux Arts. Elected N.A. in 1882. Studio in Plymouth Meeting, Pa. Works: Two Lilies (1874); Brittany Woman Spinning, Pleasant News, Image-Seller (1876); Thinking of Somebody, News from the Conscript (1877); Loyalist Peasant Soldier of La Vendée—1793 (1878); Breton Interior—1793 (1878), G. A. Drummond, Baltimore; Challenge (1879); Dat 'Possum smell pow'ful Good (1881), Chloe and Sam (1882), T. B. Clarke, New York; Elaine (1882); In from the Meadows, Village Blacksmith (1883); Who shall eat the Fruit thereof? John Brown (1884); Taking his Ease (1885).—Sheldon, 189.
HOWARD, GEORGE, born in England;
contemporary. Landscape and portrait
painter. Exhibits chiefly at Grosvenor Gallery.
Works: Pine Wood near Pisa, San
Gimignano, Near the Torre dei Riccardi
(1877); Rest in the Perjola, Path among
Olives, Olive-Gathering on the Riviera
(1878); Crab-Fishers, Venetian Archway
(1879); Banks of Irthing—Cumberland,
Walled Garden—Naworth (1880); Curlew's
Pool, Autumn Twilight, By the Beck, Start
Point—South Devon (1881); Path under the
Olives—Bordighera (1882); Vale of Mentone,
Autumn in the Old Garden (1883); Walls of
Rome from Villa Medici, Rookery in Spring
(1884); The Gatehouse—Naworth (1885).
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HOWARD, HENRY, born in London,
Jan. 31, 1769, died at
Oxford, Oct. 5, 1847.
History and portrait
painter, pupil of Philip
Reinagle and of the
Royal Academy (1788),
where in 1790 he won
the two first medals of
the year. Studied in
1791-94 in Italy, and
afterwards contributed
many subject pictures and portraits to the
Academy; became an A.R.A. in 1801, R.A.
in 1808, secretary in 1811, and professor of
painting in 1833. Though distinguished by
Academy honours, the promise of his youth
was not fulfilled; his works are graceful
and pretty, but his style is feeble. His
Flower Girl, a portrait of his own daughter,
is in the National Gallery, London.—Redgrave;
F. de Conches, 435; Frank Howard,
Memoir (1848); Sandby, i. 329.
HOWLAND, ALFRED C., born in Walpole,
N. H., Feb. 12, 1838. Genre and
landscape painter, pupil of Schultz and of
Eppindale in Boston; in 1860 visited Europe,
and studied five years, in Düsseldorf
under Professor Flann, and in Paris under
Lambinet. Elected an A.N.A. in 1874, and
N.A. in 1882. Studio in New York. Works:
Sunlit Path (1871); Old Mill on the Bush-*kill
(1874); Ford's Glen (1878); Monday
Morning (1879); The Gossips (1880); Driving
a Bargain (1882); Horse-Trade (1883);
Rendezvous of the Veterans, A Pot-Boiler
(1884); The Coming Circus (1885).
HOYE (Hoey), NICOLAAS VAN, born
at Antwerp in 1626, died in Vienna in 1710.
Flemish school; history, battle, and portrait
painter, pupil of Matheus Matheusz;
went to Vienna, where he became court-painter.
Works: Battle-pieces (2), Vienna
Museum; Physician making Examination,
Fürstenberg Gallery, Donaueschingen.—Kramm,
iii. 707.
HUBBARD, RICHARD WILLIAM, born
at Middletown, Ct., in 1817. Landscape
painter, pupil of Professor Morse and Daniel
Huntington. Studied and painted in
France in 1840. Elected N.A. in 1858.
Studio in New York. Works: Meadows
near Utica (1869); High Peak—North Conway
(1871); Vermont Hills (1874); Along
the Sound (1877); Autumn—Lake George,
C. P. Huntington, New York; Coming
Storm, Early Autumn, Judge Benedict;
Glimpse of the Adirondacks (1876), R. M.
Olyphant; Hilltop (1878); Connecticut Pastoral
(1880); Distant View of Hartford
(1882); Lake in the Adirondacks (1883);
Cat Mountain—Lake George, Afternoon in
