Angel, Brunswick Gallery; Diana, Cassel Gallery; St. Cecilia, Christ as Saviour, The Four Roman Fathers of the Church, Cologne Museum.—Ch. Blanc, École flamande; Cat. du Mus. d'Anvers (1874), 213; Immerzeel, ii. 80; Kramm, iii. 796; Michiels, viii. 306; Riegel, Beiträge, ii. 54; Rooses (Reber), 156; Van den Branden, 478.
JANSSON, KARL EMANUEL, born at
Finnström, Åland, July 7, 1846, died there,
June 1, 1874. Genre painter, pupil at Åbo
of Ekman and in Stockholm of Boklund
(1862-68), then until 1870 at Düsseldorf of
Vautier. Medal, Vienna, 1873; member of
St. Petersburg Academy. Works: Courtship
in Åland; A Copper in the Contribution
Box; Ace of Clubs.—Taflor.
JAPY, LOUIS AIMÉ, born at Berne
(Doubs); contemporary. Landscape painter,
pupil of François. Medals: 1870; 3d
class, 1873. Works: Before the Storm;
Valley of Nantuis; Twilight; Spring Landscape
(1873), Corcoran Gallery, Washington;
Aurora, Spring-time in the Mountains,
A River (1874); Spring-time in the Valley
of the Somme, In the Woods in April (1878);
End of April, Valley of the Lomont (1879);
On the Plain at Villers Cotterets (1880);
Autumn Evening (1881); A Morning in
May, October Evening (1882); Moonrise,
The Shepherd and the Sea (1883); After
the Storm, Morning in May (1884); Pools
of Beauval, Summer Evening (1885).
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JARDIN, KAREL DU, born in Amsterdam
about 1625,
died in Venice,
Nov. 20, 1678.
Dutch school;
landscape and animal
painter, pupil
of Berchem, and
perhaps of Paul
Potter, whose style
he adopted. Visited
Rome early,
and there conceived
a preference for Italian scenery. On his return
from Italy settled at The Hague, where
in 1656 he was one of the founders of the
new guild Pictura; removed to Amsterdam in
1659, whence, after 1670, he went to Rome,
and thence to Venice. He painted also domestic
scenes, portraits, and historical subjects.
His Italian landscapes are harmoniously
treated. His animals are true to
nature and well drawn. His large figures
are extremely weak. Works: Figures and
Animals Resting (1656), Fording the Stream
(1657), Landscape with Cattle, Sheep, and
Goats (1673), National Gallery, London;
Landscapes (4), Buckingham Palace; do.
(1), Bridgewater Gallery; do. (2), Lord
Ashburton; do. (2), Mr. Hope's Collection,
London; Halt of Horsemen at Italian Inn,
Farrier's Shop, National Gallery, Edinburgh;
Calvary (1661), Italian Charlatans (1657),
Landscapes and Cattle Pieces (6), Male Portrait,
Louvre; Italian Landscape (1673),
Woman Spinning, Hague Museum; Peasant
winnowing Corn (1655), Regent-piece
(1669), Artist's Portrait (1660), Horseman
before Inn, Muleteers, Male Portrait, do.
(1670), Landscapes (2), Amsterdam Museum;
Italian Landscape, Rotterdam Museum;
Vanguard, Returning to Stable,
Brussels Museum; Stirrup Cup, Basle
Museum; Dog and Horse Studies (2),
Christ on the Cross, Musée Rath, Geneva;
Portrait of Young Man (1652), Tasting
Wine (1664), Morning, Evening, Berlin
Museum; David after slaying Goliath,
Brunswick Museum; Shepherdess Spinning,
Carlsruhe Gallery; Mountebank with Dogs,
Cassel Gallery; Allegory on Human Life
(1663), Copenhagen Gallery; Peasants and
Shepherds with Sheep and Goats(?), Darmstadt
Museum; Diogenes and Boy, Maid
milking Goat, Ox and Goats, Dresden Museum;
Shepherd Boy with Goats and Sheep,
Sick Goat attended by Girls, New Pinakothek,
Munich; Parody on Art Criticism
(1677), Animal Piece, Schwerin Gallery;
Landscapes with Animals and Figures (2),
Stuttgart Museum; Herd and Boy, Vienna
Museum; Landscapes with Cattle (7), Hermitage,
St. Petersburg; Portrait, Land-
