to Mr. Hart Davis for £6,000, and finally presented to National Gallery. Engraved by G. Bonassone.—Waagen, Treasures, i. 330; Vasari, ed. Mil., v. 224; Richter, 64.
JERRIGH, E., born in Flanders, 16th
century. History and portrait painter,
studied in Antwerp, and spent the greater
part of his life in Cologne, where he stood
in high repute, and where Johann von Achen
was apprenticed to him in 1568. Work,
Annunciation (1601), Cologne Museum.—Merlo,
Nachrichten, 211; Van Mander, ii.
134.
JERSEY LILY, Sir John Everett Millais,
H. Martyn Kennard, Esq., England; canvas,
H. 3 ft. 6 in. × 2 ft. 9 in. Portrait of Mrs.
Langtry, three-quarters length, three-quarters
view to left, in a black silk dress. Royal
Academy, 1878. Engraved by T. O. Barlow.
JERUSALEM, DESTRUCTION OF,
Wilhelm von Kaulbach, New Museum, Berlin;
mural painting, staircase hall. Above
the burning Temple appear in the clouds
the prophets of the Old Testament, while
Titus enters the destroyed city; the High
Priest, standing among the flying multitude,
kills himself; at left, demons flogging
the Wandering Jew; at right, a congregation
of Christians peacefully leaving the
city.
JERVAS, CHARLES, born in Ireland
about 1675, died in London, Nov. 2, 1739.
Pupil of Sir Godfrey Kneller, and a pleasing
painter in the vigorous style of the school
to which he belonged. A Dr. Clark, for
whom he copied Raphael's Cartoons in little,
sent him to France and Italy to study
art. After his return he married a rich
widow, frequented the society of Pope and
Addison, and filled the office of court-painter
to George I. and George II. He paid a second
visit to Italy the year before his death.
His portraits of Queen Caroline, Pope, and
Martha Blount, the Duchess of Queensbury,
and Dean Swift, are in the National Portrait
Gallery. There is a second portrait of Pope
by him at Lansdowne House, and one of
Newton at the Royal Society.—W. B. S.
Taylor, Fine Arts in Great Britain and Ireland;
Redgrave.
JESUS, HISTORY OF, Sistine Chapel,
Vatican; a series of frescoes on the right
wall, each having a typical reference to a
corresponding picture opposite, from the
life of Moses. 1. Baptism of Christ, by Pietro
Perugino. 2. The Temptation, or Christ
overcoming the Power of Satan, by Sandro
Botticelli. 3. Calling of the Apostles from
the Lake of Gennesareth, by Domenico Ghirlandajo.
4. Christ preaching on the Mount,
by Cosimo Rosselli. 5. Christ's Charge to
Peter, by Pietro Perugino. 6. Last Supper,
by Cosimo Rosselli. 7. Resurrection,
by Domenico Ghirlandajo.—Kugler (East-*lake),
i. 230.
By Raphael. See Raphael's Bible.
JESUS, SLEEP OF, Annibale Carracci,
Louvre; canvas, H. 1 ft. 3 in. × 1 ft. 6 in.
The Virgin sustains Jesus, who is sleeping
upon a table covered with a cloth, and
makes a sign to St. John, who is about to
touch the Child, not to disturb him. Collection
of Louis XIV. Engraved by E. Picart
(1681); Poilly; Reindel; Richomme;
Hainzelmann.—Musée royal, i.; Filhol, iv.
Pl. 242; Landon, Musée, ii. Pl. 22.
By Bernardino Luini, Louvre; wood, H. 3 ft. 3 in. × 2 ft. 4 in. The Virgin, standing, with Jesus asleep in her arms; at left, an angel offering a cloth to cover him; behind, two other angels, one holding a roll, the other a cushion. Collection of Louis XIV. Attributed formerly to Solario and to school of Leonardo da Vinci.—Villot, Cat. Louvre.
JETTEL, EUGEN, born at Johnsdorf,
Moravia, March 20, 1845. Landscape painter,
pupil in Vienna of Albert Zimmermann;
travelled in France, Italy, and Hungary, and
has for some years worked in Paris under
the influence of the modern French school.
Gold medal in Munich (1869). Works:
Wood Landscape in the Ramsau; Hintersee
(1869), Vienna Academy; Mountain Forest,
View near Dieppe (1870); Herd by the
