Madonna and Saints (1579), Louvre; Creation of Adam, St. Yves (1616), Drunkenness of Noah, Sacrifice of Abraham, Uffizi, Florence; Susanna at the Bath (1600), Vienna Museum.—Ch. Blanc, École florentine; Vasari, ed. Le Mon., vii. 163; viii. 261.
ENDER, EDUARD, born in Vienna in
1824. History and genre painter, son and
pupil of Johann E., and student in the Vienna
Academy. Works: Wallenstein and
Seni (1844); Corbeille de Mariage (1850);
Tasso at Court of Ferrara (1852); Francis
I. in Cellini's Studio (1854); Emperor Rudolph
II. and Tycho de Brahe (1855);
Philip IV. Painting Order on Portrait of
Velasquez (1856); Shakespeare reading
Macbeth at Court of Elizabeth; Emperor
Joseph II. meeting Mozart; Schiller at
Court of Weimar; Rembrandt in his Studio;
Elizabeth and Van Dyck; Rudolf IV. on
Site of St. Stephen's in Vienna; Pouting
Corner; Secret Communication; Drinking
and Brawl; Game of Chess (1857); Puritans
on Guard; Humboldt and Bonpland on
the Orinoco; Marie Antoinette's Farewell
of Maria Theresa.—Brockhaus, vi. 124;
Land und Meer (1872), Nos. 4, 21; Wurzbach,
iv. 38.
ENDER, JOHANN, born in Vienna, Nov.
3, 1793, died there, March 16, 1854. History
and portrait painter, pupil of Maurer,
Caucig, Füger, and Lampi in the Vienna
Academy, where he obtained four prizes
and the great gold medal. Visited Italy,
Malta, Corfu, Greece, and Constantinople in
1818-19. Studied and copied the old masters
at Rome in 1820-26, then went to
Paris and Vienna, where he painted chiefly
portraits in the style of Isabey. In 1829-50
was professor at the Academy. Works:
Marcus Aurelius on his Deathbed (1814),
National Gallery, Pesth; Orestes pursued
by the Furies (1815); Minerva showing
Ithaca to Ulysses (1816); Assumption,
Sleeping at Christ's Sepulchre (1817);
Judith; Bacchus finding Ariadne; Portraits
of Duchess of Coburg, of Princesses Eszterhazy,
Hohenzollern, Auersperg, Liechtenstein,
and Taxis, and of Emperor Francis;
Madonna in Landscape, Vienna Museum;
Crucifixion (fresco, 1850-52), Liechtenstein
Chapel, St. Stephen's, Vienna.—Allgem. d.
Biogr., vi. 105; Brockhaus, vi. 124; Wurzbach,
iv. 38.
ENDER, THOMAS, born in Vienna, Nov.
4, 1793, died there, Sept. 28, 1875. Landscape
painter, twin brother of Johann, pupil
of the Vienna Academy under Mössmer
and Steinfeld. Won the grand prize in
1816. Went in 1817 to the Brazils, and in
1819 accompanied Prince Metternich to
Italy, where he remained four years; in
1826 he visited Paris, in 1836 became corrector,
and later was professor at the Vienna
Academy until 1849. Works: View of Gross-*glockner,
High Göll with Berchtesgaden Valley,
Castle Tyrol, Nons Valley with Castle
Cles, Coast of Sorrento, all in Vienna Museum;
View of Rio Janeiro, Vienna Academy;
Chapel in the Woods, National Gallery,
Berlin; Ruin of the Habsburg, Prospect
from the Habsburg (1866).—Allgem. d.
Biogr., vi. 106; Brockhaus, vi. 124; Kunst-Chronik,
i. 53; xi. 304; Wurzbach, iv. 41.
ENDYMION, SLEEP OF, Girodet de
Roussy, Louvre; canvas, H. 6 ft. 6 in. × 8
ft. 6 in. Endymion, nude, lies asleep, on
his mantle and a tiger-skin, under a tree;
beside him are his bow and his spear, and
at his feet, left, his dog lies sleeping; in
background, Cupid, in the form of Zephyr,
draws aside the branches that the moonbeams
may fall upon him. Painted in
Rome in 1792; acquired, in 1818, with the
Deluge and the Burial of Atala, for 50,000
francs. Engraved by Chatillon (1810).—Réveil,
ii. 137.
By Guercino, Uffizi, Florence; canvas, H. 2 ft. 9 in. × 3 ft. 2 in. Endymion, nude, seated, leaning his head upon his arm; background, a night landscape, with the crescent moon. Acquired by gallery in 1795. Engraved by J. B. Massard père.—Molini, Gal. di Firenze, i. 19; Soc. Ed. and Paris, Gal. di Firenze, Pl. 133; Wicar, i. Part 7.
