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Berlin Museum; do. (1643), Städel Institute, Frankfort; do. (1644), Warwick Castle; do. in Museums of Berlin, Darmstadt, Dresden (1661), Gotha, Stuttgart, and Weimar (1680); in Galleries of Copenhagen and Schwerin (1658 and two of 1663); Barn Interior, Carlsruhe Gallery; Still Life (1658), and Cottage Interiors (2), Hermitage, St. Petersburg; Interior of a Dutch School, Metropolitan Museum, New York; Kitchen Utensils, Historical Society, ib.—Ch. Blanc, École hollandaise; Bode, Studien, 229, 616; Burger, ii. 270.



KALKAR, HANS VON, 16th century, born at Kalkar, Westphalia, about 1510, died in Naples about 1546. Venetian school. Real name Johann Stephan, or Stevens, called by Vasari, Giovanni di Kalkar, or Giovanni Fiamingo (the Fleming). Went early to Italy, studied in Venice in 1536-37 under Titian, and was one of his most successful imitators. At a later period he imitated Raphael with equal skill. Afterwards went to Naples, where Vasari knew him in 1545. The Nativity, which was owned by Rubens, who carried it with him on all his travels, and afterwards at Prague, is now in the Vienna Museum. Works: Male Portrait (1540), Louvre; do. (1533), Berlin Museum; Male Portrait, Vienna Museum.—Allgem. d. Biogr., xiii. 692; Ch. Blanc, École vénitienne; Brockhaus, iii. 830; C. & C., Flemish Painters, 317, 358; Kugler (Crowe), i. 266; Wolff, Die Nikolai Pfarrkirche zu Calcar, 20; Zeitschr. f. b. K., xi. 375.


KALRAAT, BAREND VAN, born at Dordrecht, Aug. 28, 1650, died there in 1721 (?). Landscape and figure painter, brother of, and first instructed by, Abraham Kalraat (figure and fruit painter, 1643-99), then pupil of Aelbert Cuyp, whose style he followed at first, but adopted afterwards that of Herman Saft-Leven, and painted cabinet pictures of Rhine views. A Cow Stable, by him, is in the Schwerin Gallery, and a Mountainous Landscape in the Liechtenstein Gallery, Vienna.—Immerzeel, ii. 95; Kramm, iii. 834.


KALTENMOSER, KASPAR, born at Horb, Würtemberg, Dec. 25, 1806, died in Munich, March 7, 1867. Genre painter and lithographer, pupil of the Munich Academy in 1830, but formed himself principally through study of nature in the Bavarian and Tyrolese Alps, Switzerland, and Istria (1843). Many of his views in the Black Forest are in America. Works: Landscape with Peasant's House (1831); Tyrolese Family by the Wayside (1832); Zillerthal Peasants Dancing (1833), Munich Art Union; Hunter's Family (1834); Gypsy Fortune-Teller (1835); Love Declaration of a Peasant Boy (1835); Scene in Suabian Cottage; Gypsies, Suabian Peasant Woman with Child (1836); Suabian Girl, Christmas Eve (1837); Marriage Contract (1838), Taxis Gallery, Ratisbon; Return from Pilgrimage (1839); Zither Players in a Tavern (1840); Target Shooting in Upper Bavaria (1841), Kunsthalle, Hamburg; Tavern Life in Meran (1842); From a Tyrolese Inn (1844); Peasant House in Black Forest (1845), Munich Art Union; Three Domestic Scenes from Black Forest (1846); Italian Family Scene (1847); Fair in Black Forest (1848); Bridal Couple at the Parson's (1849); Family in Istria (1850); Suabian Girls Spinning (1851); Domestic Scene in Istria (1854); Fruit Vender of Servola (1856); Despised Love-Gift (1857); Embroideress from Appenzell(1858); Suabian Family (1861); Painters Kirner and Kaltenmoser among Peasants (1861); Suabian Tavern Scene (1864); Domestic Scene (1866); Trap Vender (1867).—Allgem. d. Biogr., xv. 46; Cotta's Kunstbl. (1843), 367; (1818), 219; D. Kunstbl. (1856), 444; Kunst-Chronik, ii. 103; Förster, v. 196; Raczynski, ii. 401.


KALTENMOSER, MAX, born in Munich, Dec. 1, 1842. Genre painter, son of Kaspar, pupil of Munich Academy under

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