Saint Gall Museum; View of Genoa, Stuttgart Museum; Trent Cathedral (1861); Convent Yard on the Rhine (1863); Fontana di Ferro in San Giovanni, Verona (1869); View in Benedictine Abbey; Choir in Worms Cathedral; Entrance to Cloister Maulbronn; San Lorenzo in Trieste; Montano and Arco in South Tyrol (1873), Leipsic Museum; View in Brescia.—Kunst-Chronik, xx. 616; Müller, 299; Regnet, i. 260; Schack, Meine Gemäldesammlung (1884), 230.
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Kirmess, Rubens, Louvre, Paris.
KIRMESS (Village Fête), Rubens, Louvre, Paris; canvas, H. 4 ft. 10 in. × 8 ft. 6 in. At left, rustic houses and trees, and a table with groups of drinkers and women taking care of children; in centre, a musician playing and a great round of dancers; at right, a barrel and various utensils, ducks in a pond, and a dog; in background, a landscape with hills. Engraved by Fessard; Dupréel in Musée français.—Réveil, vi. 429; Larousse, ix. 1193.
KIRNER, JOHANN BAPTIST, born at
Furtwangen, Baden, June 24, 1806, died
there, Nov. 19, 1866. Genre painter, pupil
in Augsburg under Zimmermann and Rugendas
in 1822-24, then of Munich Academy.
Painted at first religious pictures.
Lived in Rome in 1832-37, and again in
1849, court-painter in Carlsruhe in 1842-44,
then at Munich until 1864, when he returned
to Furtwangen. Works: Nasenwirth; Raphael
and Michelangelo (1833); Improvisatore,
Workmen in Campo Vaccino; Schweizer
Gardist (1831), Italian Woman at Cradle
(1835), Carlsruhe Gallery; Improvisatore
(1836), Kunsthalle, Hamburg; Pilgrim Resting,
Old Italian with Dog, Mannheim Gallery;
Shepherds in Sabine Mountains, Ave
Maria, Suabian Watchman, Camaldulensian
Monks (1839); Hunting Scene; Sunday
Morning in Black Forest, Return from
Agricultural Feast (1841), Guardia Civica,
Cobbler with Child, Carlsruhe Gallery;
Maternal Joy, Country Physician, Fortune-Teller
(1847), Badenese Insurgents in Flight
(1849), New Pinakothek, Munich; Episode
from Hebel's Poem: Statthalter von Schopfheim,
Fürstenberg Gallery, Donaueschingen;
Suabian Civic Guard in 1848 (1849),
Leipsic Museum.—Allgem. d. Biogr., xvi.
26; Dioskuren (1867), 48; D. Kunstbl.
(1858), 121; Kunst-Chronik, ii. 45; Regnet,
i. 266.
