where he became a member of the Academy of S. Luca, and in 1814 inspector of the Papal Cabinet of Mosaics. Works: History of Achilles (in 14 pictures, after which was executed the famous mosaic table presented by Pope Leo XII. to the King of France), St. Paul before King Agrippa, Ferdinandeum, Innsbruck; Frescos in Municipal Hall in Rome.—Hormayr's Archiv. (1826), xvii. 206; Tyrol. K. Lex. (1830), 131; Wurzbach, xii. 207.
KOEDYCK, NICOLAAS, born in Zaandam
in 1681. Dutch school; portrait and
genre painter, after the style of Pieter de
Hooch. He was the last good Dutch painter
of the old period, and the favourite of Peter
the Great in Zaandam (Sardam). Works:
Portrait of an Admiral, Amsterdam Museum;
Dutch Interior, Brussels Museum;
Man with Wineglass, in Background a Concert,
Hermitage, St. Petersburg.—Immerzeel,
ii. 122; Kramm, iii. 893.
KOEHLER, ROBERT, born in Hamburg
in 1850. Brought to America in 1854.
Genre painter, pupil of the National Academy
under Professor Wilmarth, and of the
Art Students' League under Walter Shirlaw;
afterward studied in Munich under
Lœftz and Defregger. Exhibited first in
National Academy in 1878. Works: Her
only Support (1883); Socialist (1885).
KOEKKOEK, BAREND CORNELIS,
born at Middelburg, Zeeland, Oct. 11, 1803,
died at Cleves, April 5, 1862. Landscape
painter, son and pupil of Johannes Hermanus
Koekkoek (marine painter, 1778-1851,
by whom there is a Sea View, 1847,
in the New Pinakothek at Munich), and
student of Amsterdam Academy under
Schelfhout and Van Oos; travelled in Belgium,
in the Ardennes, on the Rhine, and
Moselle, visited Paris, afterwards settled at
Beck in Gelderland, and in 1841 founded
an Academy of Design at Cleves. Member
of Rotterdam and St. Petersburg Academies
in 1840. Orders of the Lion (1839) and
of Leopold (1842); L. of Honour; gold
medals in Amsterdam (1840), Paris (1840
and 1843), and The Hague. Works: Wood-Interior
(1840); do. (1843); Oak-Wood in
Damp Weather; Landscape on Nether
Rhine; Summer Landscape, Winter Landscape
(1843), National Gallery, Berlin;
Landscapes (2, one dated 1853), Ravené
Gallery, ib.; do. (1), Carlsruhe Gallery;
do. (2, 1851, 1852), Leipsic Museum; do.
(1838, 1848), Museum, Amsterdam; Landscape
with Cattle, City on a River, Four
others, Museum Fodor, ib.; Forest, View in
Guelders, Winter, Rotterdam Museum;
View near Cleves (1846), Antwerp Museum;
Marines (2), South Kensington Museum;
View on the Moselle, Historical Society,
New York; Dutch Landscape, W. H. Vanderbilt,
ib.; Landscape, J. W. Drexel, ib.;
Street in Antwerp, M. K. Jesup,
ib.; Landscape, Market,
Church, R. L. Stuart Collection,
ib.; Landscape, J. T.
Martin, Brooklyn.—Cotta's
Kunstbl. (1836), 187; (1840), 361; D. Kunstbl.
(1856), 52, 407; Immerzeel, ii. 123;
Kramm, iii. 896; vii. 95; Larousse, ix. 1238.
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KOEKKOEK, HERMANUS, born at Middelburg, March 13, 1815, died at Haarlem, Nov. 5, 1882. Landscape and marine painter, son and pupil of Johannes Hermanus, and brother of preceding. Member of Amsterdam Academy in 1840. Works: Calm Water with Fishing Smacks (2), River View, View on Zuyder-Zee, three others, Museum Fodor, Amsterdam; Agitated Sea, Rotterdam Museum; Sea on Dutch Coast, Kunsthalle, Hamburg.—Immerzeel, ii. 126.
KOELBL, ALOIS, born in Munich, Jan.
14, 1820, died there, March 28, 1871.
Genre painter, pupil of the Munich Academy
under Heinrich von Hess, then of Bernhard
in portrait painting; visited Italy in
Michael Echter's company, and finally devoted
himself to small genre subjects.
Works: Clerks in a Sacristy (1852); Walk
(1859); Preparing for a Sunday Walk (1860);
Recruit in the Kitchen; Palatine Rudolph I.
and Duke Otto in the Battle of Göllheim
(large fresco), National Museum, Munich.