- dam Museum; Male Portrait (1826), Leyden
Museum.—D. Kunstbl. (1857), 424; Immerzeel, ii. 138; Kramm, iii. 911; Larousse, ix. 1272.
KRUSEMAN, JAN ADAM, born in Haarlem,
Feb. 12, 1804, died there, March 17,
1862. History and portrait painter, cousin
and pupil in Amsterdam of Cornelis, studied
then from nature and after the great masters
in Amsterdam Museum, and in Brussels
under David; returned to Amsterdam in
1825, was co-director of the Academy in
1831-35, and one of the founders of the Society
Arti et Amicitiæ. Works: Portrait of
Czar Alexander I. (1832); of Kings William
I. and William II., Count and Countess van
Styrum; Company of Dutch Poets, Portraits
of King William II. (1840) and of Adriaan
van der Hoop, Elijah and the Shunammite
Woman (1825), Young Girl Resting (1827),
Amsterdam Museum; Christ and Woman of
Samaria; Prodigal Son; Cain and Abel;
Noah's Curse; Narcissus; Joseph and Benjamin;
Abraham and Isaac; Shunammite
Woman; Male Portraits (1822, 1848), Portrait
of Himself (1844), Haarlem Museum;
Landscapes (2) (1850), Leipsic Museum;
Midday Nap (1855).—Burger, Musées, ii.
160; Immerzeel, ii. 140; Kramm, iii. 914;
vii. 97.
KRUSEMAN VAN ELTEN, H. D., born
at Alkmaar, Nov. 14, 1829. Landscape
painter, pupil in Haarlem of Lieste, and
student of nature in Germany, Switzerland,
and Tyrol. Continued his studies in Brussels,
and settled in Amsterdam, whence he
moved to New York in 1865. Member of
Rotterdam and Amsterdam Academies, and
of Belgian Water Colour Society; A.N.A
in 1871, and N.A. in 1883. Medals: Amsterdam,
1860; Philadelphia, 1876. Studio
in New York. Works in oil: Early Morning
in Woods, Queen of Holland; Well on
the Heath (1860); Summer Morning—Esopus
Creek (1867); Morning in the Hartz
(1871); Passing Shower near Pittsfield
(1875); Windmills—Holland, Hurlbut Collection,
Cleveland; Corn-fields, Clearing Off—Adirondacks,
Grove in the Heath, Russell's
Falls—Adirondacks (1876); Hillside (1879);
Grain Field—Connecticut, Summer in Shepaug
Valley (1880); Morning on River
Banks (1881); Near the River, After the
Rain (1882); Midday, Coming Storm (1883).
Water-colours: Sunday Morning in Holland
(1867); Meadows near Farmington (1871);
Evening on Long Island Sound (1875);
Scene in Holland, Autumn in the White
Mountains (1876); Morning near Gloucester—Mass.
(1878); Bright Day in August, Old
Settler, Summer Evening (1884).—Sheldon,
196; Müller, 312.
KÜCHLER, ALBERT, born in Copenhagen,
May 2, 1803.
History and genre
painter, pupil of Copenhagen
Academy
under Eckersberg;
received medals in
1822 and 1825, gold
medal in 1829; went
to Munich in 1830,
and then to Rome,
where he became a
follower of Overbeck. In 1844 he embraced
Catholicism, and under the name of Fra
Pietro became a Franciscan Monk (1851),
since which time he has painted altarpieces
only. Member of Copenhagen Academy
since 1877. Works: Young Fruit-Seller in
Artist's Studio (1828), Copenhagen Gallery;
Christ healing the Sick (1829); Christ appearing
to the Disciples; Joseph relating
his Dream (1833), Bride dressed by her
Mother (1836), Copenhagen Gallery; Family
Scene on Lake of Nemi, Roman buying
Priest's Hat for his Child, Little Abbé examined
by his Sister, Family of Colonel
Paulsen, Thorwaldsen Museum, Copenhagen.—Sigurd
Müller, 198; Weilbach, 386; Land
und Meer (1874), i. 366.
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KÜGELGEN, GERHARD VON, born at Bacharach on the Rhine, Jan. 6, 1772, murdered near Loschwitz, Dresden, March 27, 1820. History and portrait painter, pupil of Zick in Coblentz, and of Fesel in Würz-
