Städel Gallery, Frankfort; High Tide among Cliffs (1647), Mountain Landscape (1648), three others, Copenhagen Gallery. Others in Cassel, Darmstadt, Gotha, Oldenburg, Hamburg, and St. Petersburg Galleries.—Allgem. d. Biogr., vi. 435; Ch. Blanc, École hollandaise; Förster, iii. 207, 241; Immerzeel, i. 225; Kramm, ii. 445; Quellenschriften, xiv. 201; Van der Willigen, 127.
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EVERDINGEN, CESAR VAN, born at Alkmaar in 1606, died there in 1679. Dutch school, history, genre, and portrait painter; brother of Allart van E.; pupil of Jan van Bronkhorst, entered the Alkmaar guild in 1632; went in 1648 to Haarlem, where he entered the guild in 1651, but returned to Alkmaar, where most of his pictures are to be found in St. Lawrence's Church and in the Town Hall. He painted with vivid conception and powerful colouring. Works: Diogenes in Search of a Man (1652, figures portraits of the Steijn family), National Museum, Amsterdam; Flora, Pomona, Bacchus, and Cupid, Dresden Gallery. His younger brother, Jan (1625-1656), painted still life.—Immerzeel, i. 225; Kramm, ii. 445; Quellenschriften, xiv. 200; Van der Willigen, 126.
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EVERS, ANTON CLEMENS, born on the Moritzberg, near Hildesheim, in 1802. Genre and portrait painter, pupil of the Dresden Academy until 1829, after which he painted portraits in his native town. In 1832 he went to Munich, where he established himself as a painter of Bavarian life and sports. Works: Peter Vischer in Nuremberg working on Sebaldus' Monument; Guttenberg showing first Trials of Printing; Luther as Squire George at the Wartburg; Hans Sachs composing Poetry in a Bower.
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EWALD, ERNST (DEODAT PAUL FERDINAND), born in Berlin, March 17, 1836. History painter, pupil in Berlin in 1855 of Steffeck, then studied in Paris in 1856-63, including one year under Couture. After visiting Italy, in 1863-64, he returned to Berlin, and there decorated the new city hall, and a hall in the National Gallery, with wall paintings. In 1868 he became instructor, and in 1874 director, of the German Industrial School, in 1880 also of the Royal Art School, at Berlin. Works: The Seven Deadly Sins (1863), Scenes from Niebelungen Saga (1869), National Gallery, Berlin.—Brockhaus, vi. 463; Rosenberg, Berl. Malersch., 230.
EWARD, CHARLES, born at Nantes
about 1608, died in Rome May 25, 1689.
French school; history and architecture
painter and engraver. Formed himself in
Italy, where he was member of the Academy
of St. Luke, 1635, and after his return
to France decorated churches and palaces
with second-rate pictures of sacred and profane
history. He was one of the founders
and first director of the French Academy at
Paris and (1665) at Rome.—Ch. Blanc, École
française.
EXECUTION IN GRANADA, Henri
Regnault, formerly in Luxembourg Museum;
canvas, H. 9 ft. 10 in. × 4 ft. 10 in. A marble
stairway with two or three steps leads
to a Moorish court in the style of the Alhambra;
in foreground, two figures, the
executioner and his victim, the former
standing wiping his cimeter on his tunic,
the latter a mangled trunk, the head lying
in a pool of blood on the marble pavement.
Salon, 1870.—Benjamin, 102.
EXILES OF TIBERIUS, Félix Joseph
Barrias, Luxembourg Museum; canvas, H.
8 ft. 3 in. × 13 ft. The Emperor Tiberius,
having retired to Caprea (Capri) to pursue
his pleasures, punished all who stood in his
way, including even the wives and children
of the accused, by banishing them to islands
where they could get neither fire nor water
(Suetonius). The picture represents a boat
