Brussels; Portrait (ascribed to Velasquez), Nantes Museum; Portrait of Young Man, Writing Master (?), Old Pinakothek, Munich.—Gaz. des B. Arts (1864), xvi. 77; xvii. 103; (1865), xviii. 80; (1866), xxi. 308; (1874), ix. 441; (1877), xvi. 281; Havard, A. & A. holl., iv. 43; Vosmaer (1868), 166.
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FABRITIUS, KILIAN, flourished about 1633-80. German school; landscape painter, employed at the court of the Elector John George II. of Saxony in 1633-80. Works: Expulsion of Hagar (1650), Stockholm Museum; Landscape, Darmstadt Museum; do., Vienna Museum; Ruins of Burg Weissenfels—Saxony, Wiesbaden Gallery.
FABULLUS (Famulus, Famulis, Amulius),
Roman painter, about 60 A.D. Employed
to decorate the Golden House of
Nero; also painted a picture of Minerva.
His style was simple and severe. It was his
custom to paint but few hours in the day
and always to wear his toga when at work,
out of respect for the dignity of his profession.—Pliny,
xxxv. 37 [120].
FACCINI, PIETRO, born at Bologna in
1562, died in 1602.
Bolognese school;
history painter, pupil
of Annibale Carracci;
founded a
school in opposition
to that of the
Carracci, which was
successful only a
short time. Works:
Patron Saints of Bologna,
Madonna, Bologna Gallery; Virgin
appearing to St. Francis, S. Domenico;
Martyrdom of St. Lawrence, S. Giovanni in
Monte; Adoration of the Magi, S. Mattia;
Madonna and Saints, Marriage of St. Catherine,
Dresden Gallery.—Lanzi (Roscoe),
iii. 124; Nagler, iv. 214.
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FACTOR, PEDRO NICOLAS, El Beato Fray, born in Valencia, June 29, 1520, died there Dec. 23, 1583. Spanish school. Son of a tailor from Sicily; became a Franciscan monk in 1538, and spent his life in religious duties and in painting frescos in the cloister of S. Maria at Valencia. Chief work a Madonna there, selected for prize engraving by Academy of S. Carlos at Valencia. Canonized as a beato or saint of the second order by Pius VI. (1786). None of his works known to exist.—Stirling, i. 368; Cean Bermudez.
FADENO, IL. See Aleni, Tommaso.
FAED, JOHN, born at Burley Mill, Kirkcudbrightshire,
Scotland, in 1820. History
and genre painter; first painted miniatures
with success, removed to Edinburgh in 1841,
where he turned his attention to genre and
portrait painting. Member of R.S.A. in
1851. Works: Boyhood (1850); Cruel
Sisters (1851); Cotter's Saturday Night
(1854); Philosopher (1855); Household
Gods in Danger (1856); Job and his Friends
(1858); Ruth and Boaz (1860); Fine Old
English Gentleman (1862); Catherine Seyton
(1864); Old Age, Stirrup Cup (1867);
John Anderson my Jo (1869); Old Mare
Maggie (1870); After the Victory (1873);
Morning before Flodden (1874); Blenheim
(1875); In Memoriam (1876); Goldsmith
in his Study (1877); Leisure Hour, Old
Basket Maker (1878); Poet's Dream (1882).
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FAED, THOMAS, born at Burley Mill,
Scotland, in 1826.
Genre painter, brother
and pupil of John
Faed, and student of
Edinburgh School of
Design. Became an
A.R.S.A. in 1849;
went to London in
1852; was elected an
A.R.A. in 1861, and
R.A. in 1864. Ranks
high as a delineator of Scottish life, in the
school of Wilkie; many of his pictures have
been engraved. Works: Rustic Toilet, Mrs.
O. Roberts, New York; Shakespeare and
his Contemporaries, Corcoran Gallery, Wash-